Jai Chiranjeeva (Telugu: జై చిరంజీవ) is a Tollywood 2005 film directed by K. Vijaya Bhaskar and produced by Vyjayanthi Movies. The movie stars Chiranjeevi, Bhoomika Chawla and Arbaaz Khan . It was dubbed into Hindi and Tamil as Bhajrang and Deva respectively. The film turned into a big hit in Bhoomika's career, after Kushi

Shankar, leader of a labour union, is killed by a mafia don. His son Munna, who is raised by the slum dwellers, is unaware of his past. However, his enemies identify him and attempt to kill him.

Documentary about the milk farmer Bertil Nilsson

Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

The annual compendium of highlights from last season's major intercollegiate gridiron classics.

Clarkson and guests will celebrate the festive season with a comedic musical take on a traditional Christmas morality tale. Song selection will come directly off her just-released Christmas album, "Wrapped in Red," featuring classics such as "Silent Night" and "White Christmas" as well as the title track

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.

Amid the vast, sunlit farmlands, two young men engage in an everyday conversation about the struggles of rural life, from failing crops to financial pressures. Their quiet afternoon takes a somber turn when a third man arrives to chop down a tree that has been sold for a modest sum. As the axe strikes the trunk, the act becomes a powerful metaphor for the sacrifices forced upon those trying to make ends meet. Through understated visuals, विडंबन poignantly reflects the harsh realities and quiet resilience of rural life.

Adrian Savage will have to marry if he wants to inherit his father's estate and he plans to marry Lola. However Lola loves Russell; a man she met in a night of passion who went off to become a war photographer where he was shot and lost a leg. When the two meet at the engagement party, Lola remembers how much she cares for him; but now Russell has a mistress (Elizabeth) who jealously spies Lola's flickering of lust.

Live performance of the album Tubular Bells II at Edinburgh Castle

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.