Takes place in one place, a beer hall, over the course of one evening. Uchida employs this concentration of setting and time to fashion a microcosm for a group portrait of Japan. One by one, the regulars of the bar appear: the pianist who dreams of becoming a composer but has disappeared from the music world after a knifing; a stripper who had planned to be a ballet dancer; an elderly painter trying to make a living at pachinko, and who rues his art having been used for militarist propaganda during the war; a young waitress considering elopement; a colonel turned real estate broker who attempts to rouse the crowd in military song until he realizes the tune has been transformed by marchers in the street into a leftist chant. The "twilight" is more than just a time of day; here, it is a state of being, a suspension between past and present, between the camaraderie of the saloon and the harsh world outside.

Having lost everything to horse racing, Yûji accidentally gets 10 million yen. But this sum belongs to a Yakuza.

Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

Kurt Longson tries to avenge his daughters death. To succeed he has to battle with his conscience and morality to realize true love.

Two courting hillbilly dogs go to the big barn dance.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.

Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).