The film takes place in 1659 when Bohdan Khmelnytsky's son Yuri took power from Hetman Vyhovsky. Supporters of Bohdan Khmelnytsky are trying to help his daughter Olena to save her father's regalia - the symbol of Hetman's power and independence of Ukraine.

Commanded by Mr. Simón and his beautiful teenage daughter Lily, the Fantastic Circus arrives in a small town. A homeless boy joins the troupe after fleeing a theft. As he does not bear the children's happiness, the evil Makario uses his magic so that the show fails, but the clown Cepillín will stand up to him using the children's smile and laugh as a spell.

Anojh comes to London with expectations of a better life. He finds that the reality of the illegal movement is a lot harder than he previously envisioned. He meets Stefi, a girl who gives hope to his life.

A group of skeptical government officials headed by General Randolph are brought to a remote laboratory for a demonstration in "Psychic Materialization", a successful side effect of an experimental drug. But the project scientists had warned that not enough testing had been completed to access safety concerns. In a freak accident during the demonstration to the politicians, a vicious creature is created! Unable to contain the monster, it unleashes unbelievable havoc & destruction against mankind! Reproducing itself at an alarming rate, and all known weapons seemingly powerless against the creature, the scientists are gravely concerned for the survival of mankind!

The friends Curió, Boroca (Dedé Santana), Mexelete and Bateia they venture in search of gold in the mine of Serra Pelada. The area is controlled by the foreigner Von Bermann, whose orders are executed by the bully Bira. Thirsty of being able to, the foreigner smuggles the gold and he wants to take possession of the lands of the Brazilian Ribamar, that refuses to do business before the son's arrival Chicão. With the help of the four dabblers, the boy struggles with the thieves and it helps the father in danger.

Two dogs, Polkan and Shavka, watched a flock of sheep by the river. Suddenly, they notice a hare, chase after him and run into the forest, where they meet face-to-face with three wolves. Shavka, chickening out, backs away, and the brave Polkan takes the fight. In a fierce fight, he manages to defeat one wolf, but from wounds he loses consciousness.

Government authorities incarcerate a girl whose extraterrestrial origin is discovered after an accident with a car.

A 1950 Finnish short film.

It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.

A three-part retrospective with notes from Gibson, Wallace, producers Bruce Davey and Alan Ladd, Jr., unit manager Kevin de la Noy, cinematographer John Toll, and 2nd unit director/stunt coordinator Mic Rodgers. The show looks at the project's development from the Gibson/studio point of view, Gibson's work as director and the challenges of doing "double duty" as an actor, editing and music, sets and locations, logistics, stunts and action scenes, and various other production concerns.

Best known as the cult creator of the animated web series Salad Fingers (SUFF 2007) David Firth creates morbidly fascinating worlds that delve deep into the darkest recesses of the human psyche. It’s fair to say that once you lay eyes on his shorts, it’s hard to shake their visceral effect in a hurry. Eleven years after first screening his work at SUFF, Umbilical World represents a curation of Firth’s most popular shorts to date, each bookended by brand new transitional animations. Using surrealist techniques to explore depression and mental illness with some of the darkest humour this side of the twenty-first century (his work has been featured on Charlie Brooker’s Screenwipe and Mitchell & Webb), Firth has become one of the world’s most significant, independent animators. Umbilical World is a brain-melting celebration of Firth’s short but prized career — a dog-stew of animated fancies from the scabland toybox that is his mind.

Written and directed by indie filmmaker Cullen Hoback, this high-concept comedy centers on the exploits of eight mental hospital patients who awaken to discover that they've just slept through the apocalypse. Determined to find the edge of the world, the former residents of Lost Acres load into a short, yellow bus and embark upon a cross-country journey to rescue potential survivors and plant the seeds for a new society, fashioned to their liking.

Angus Lynch, a psycho, escapes from prison and hooks up with his stripper sister named Kascha. Some death ensues eventually leading Angus to cross paths with a police captain named David who has a daughter named Jackie and whose wife was murdered when she was a child.

After a critical zombie attack, the only survived police must face an investigation from his superior that reveals a painful fact.

A portrait of dementia and loss in memory over time

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Anxious and shy, Michaud works for a company that specializes in alarms, safes and other security devices.