After a late-night triad dispute leads to the death of an innocent civilian, PTU officers take action by investigating triad activities in the area.

In a period of isolation, far away from each other, 2 friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They both share their inspiration while capturing the reality of these times.

Oliver's Divine Delivery Theory is put to the test when he and the POstables seem to be unable to deliver a damaged letter from a military veteran that's a matter of life and death.

Winner Takes All is a Hong Kong comedy starring Karl Maka and Ricky and Samuel Hui

Sylvester, his wife, and son go for a walk while their porridge cools, when Goldimouse wanders by to eat the porridge and sleep in their beds. Sylvester then tries to catch her for his "spoiled brat" of a son to eat.

A master owl tries to present the kindergarten end of year show. Unfortunately the night does not go as planned, as several unforeseen events happened, one after the other, even before the curtain came up.

Ton Chard is a vicious murderer, who terrifies people with his crimes. He is protected by his father, the powerful Shi Fong, ruler of the district. Su Ma offers herself to seek and arrest the criminal. Once done that, she has to take him to the law court where he will be judged. But Shi Fong will do everything to stop her.

About an investigation into possible murder of a battered wife whose husband is well known.

Jan Lenica's semi-autobiographical movie about a life of a man under the number "44". He experiences bureaucracy, abusive step-parents, and oppression from the government and society. In the end, he tries to get away to the "lost paradise".

Hung's parents abandoned him long time ago. He has lived with his uncle Ba since he was a child. Uncle Ba is a clever tailor and he's always kind to others. However, he is discriminated on the grounds of sex because he's gay. People they always tease him and speak against him and the Hung family behind his back. Hung feels so lonely.

On the eve of the wedding Mother Nyurka heats up the sauna, and the household spirit makes sure that the whole wedding company get their long-deserved thrashing.

Thamizh, a brave youth, looks forward to working with his brother in Kuwait. Meanwhile, circumstances force him to clash with some gangsters which earn him Periyavar's wrath.

Writer/director Leslie Carde finds her villain in the US Army Corps of Engineers, an agency whose primary aim is supposed to be that of protecting the nation's citizenry from potential disasters caused by the structural failure of dams, bridges, levees, buildings etc. Instead, the Corps, in cahoots with the many politicians and congressmen who work right along with it, has been found, over and over again, to be derelict in its duties - guilty of negligence, of employing harmful cost-cutting measures, of having misplaced priorities, of engaging in outright deception, and of brokering sweetheart deals with pet contractors. The movie is unsparing in its treatment of the Corps, and Carde clearly views it as her own personal mission to hold that organization accountable for the many acts of criminal malfeasance it has engaged in over the years.

In the wake of last week’s Backwoods Bloodbath (review here) release, MVM offer up another similarly abysmal slice of no-budget drudgery in the form of Razor’s Ring. Here the story follows protagonist Scott (Casey), a businessman out for his morning run when he comes across ruthless ex-con couple Razor and Julie (Schilens and Wharton). After witnessing them callously run over a dog on the road, Scott has a gun pulled in his face and is forced to join them on their Death Race 20000-inspired joy ride as the pair attempt to gain a better “score” than their partner.

A welder falls in love on a spring afternoon with a young woman he meets at a zebra crossing.

Dona Amélia is an Angolan refugee from the war who started her life anew in Olinda, in the Northeast of Brazil. From her photograph mural, her Brazilian daughter goes in search of her roots, divided between the family memories and the manifestations of African origin that she encounters along the way.

A documentary that deeply focuses and visits the trauma of Korea's modern history for 70 years through the life of a father whose family was indifferent.