The comedy 'Ninna' is about the title character, who lives with her son Dennis in Præstø, where she also works at the local takeaway. When Dennis announces that he wants to move away from home after his 18th birthday, Ninna's world collapses. She therefore sets out a plan to get him back home. But along the way, Ninna must also revisit her own life and settle on the past. 'Ninna' is a comedy that addresses serious topics and treats them in a humorous light.

The film depicts the last hours in the life of great Danish King Christian IV, told exclusively from a horse carriage. The focal point is Christian's tempestuous relationship to his second wife, Kirsten Munk, involving accusations of infidelity and attempted murder.

Two unsuspecting thieves break into the wrong house and must face a sinister home owner.

Dramatic TV two-parter about a married doctor, who falls in love with a mine deterrent in Vietnam.

Viewers explore Grand Hotel’s iconic spaces to learn what has made this unique property an icon of success for 130 years.

'Apart' follows several entangled lives in Los Angeles: Mario, a young man who feels rejected by an older man named Saleheddine; John, a jaded hustler and drug dealer who keeps happiness at bay, and who works closely with Christine, the wife of Saleheddine; Dre, Saleheddine's best friend, who is left astonished by the sudden break up with his girlfriend; and Mannu, whose lover, Dre's brother, dies overseas.

Student film made by Cristian Mungiu.

A look at the life and films of the expressionistic movie and television director John Brahm.

A bicycle messenger sees a girl being brutally assaulted and dragged into a van. She immediately calls the police, but unfortunately the girl is found too late. It turns out that the murdered girl has been the victim of a serious sexual crime. Detective Inspector Irene Huss and the rest of the team begin to look for the murderer, but have very few clues to go on. When another young girl is murdered in a similar way, the team realizes that they are dealing with a sexual predator. How does he get in touch with the girls? Why do they agree to meet him? Why are they wearing special underwear?

Featuring speakers of Chinuk Wawa, an Indigenous language from the Pacific Northwest, WAWA begins slowly, patterning various forms of documentary and ethnography. Quickly, the patterns tangle and become confused and commingled, while translating and transmuting ideas of cultural identity, language, and history.

Porky uses his cafe's kitchen's mechanical gadgets to fix a meal for a diner, while cook Conrad Cat deals with an ant in the pancake mix.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

A struggling theatre group actor attempts to quit, but the instructors insist on giving him one last objective.

Painter Gao Yuan’s experimental animation is composed of a series of surreal scenes, based on her acrylic paintings made between 2010-14. Objects and people find themselves in unusual situations where rules of gravity and structure do not apply. The familiar yet unnervingly offbeat scenes are connected through unexpected sounds and rhythms. Under the dim moonlight, the characters are stuck in a dream state from which they cannot awaken.

Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.