Aridhu Aridhu is a 2010 Indian Tamil-language drama film written and directed by K. R. Mathivanan, an assistant of director Shankar, directing his maiden venture. The movie is produced by Jaya Krishnan under the banner name of JK Creations. The movie lead cast includes Harish Kalyan and Uttara Raj both making their debuts. Thaman has scored the music under the audio label of Five Star Audios.

An American volunteer teaching in a school in Africa must save one of his students, a 14 year old girl from religious slavery.

Kicking Off starts with the most important game of the season. Loyal fans Wigsy and Cliff watch in trepidation as their football team score the goal that will save them from relegation. Victory is bliss as a chorus of supporters chant and cry with elation. However, this frenzy of happiness quickly turns ugly as the referee disallows the deciding goal. With their hearts and fists pumping, adrenalin running and fury racing through their bloodstream, the fans take matters into their own hands and Cliff makes the fatal mistake of planning while intoxicated. Wigsy, a confirmed idiot, follows through with the said plan and in the darkest hours of the night he commits a crime that will cause chaos and catastrophe for him and his best mate Cliff. Kicking Off is cleverly filmed with split screen shots and slow motion montages. The characters are lovable thugs who will leave you laughing and grimacing at their lack of common sense. The beautiful game just got ugly.

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.

In a train on its way through the bombed out Germany are a bunch of happy American soldiers. They are going to Copenhagen for some R&R. One of them is John Petersen, a lieutenant in the American army and another is his friend Bill. They are talking about how much they are looking forward to a rest in Denmark and John Petersen who is of Danish descent talks about his native Copenhagen.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.

A man released from prison falls in love with the blind wife of a cellmate, whom he promised, when inside, to visit. He poses as the real husband, planning to kill him, but finds the wife is not so innocent as he thought.

A journey from dawn to dusk across Spanish landscape while a culture war unfolds in several mass events.

The Martins and the Coys are two feuding clans. One day, Grandpa Coy gets caught in the Martin henhouse, and a massive battle erupts, leaving only a Martin girl and a Coy boy. Love conquers all for a while, anyhow. Originally released as a segment in Make Mine Music.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

The story continues with the young couple walking down the same desolate road. They flag down a sheriff's car for help. As the sheriff gets out of the car, they notice another sheriff's officer tied up in the back seat. Which one is dangerous?

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.