A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

A pregnant woman is help captive by her troubled father.

The Warring-States-Era SD Gundams are back to dispel evil spirits and an evil plot taking place in the ruins of Jaburo City.

A high school track star's wedding plans are capsized by venereal disease and a bad, beautiful new girl in town. His coach and a physician steer him into the light again.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

Rauno Rämekorpi is celebrating his 60th birthday. He has been awarded the title of Industrial Counsellor, and the company's management has commissioned a biography of him. After the celebrations, the industrial counsellor orders a taxi to take the flowers brought by the guests to the landfill. However, taxi driver Seppo Sorjonen convinces Rämekorpi to change his mind – the flowers are taken to a few female friends instead.

A high priest of Karnak travels to America with the living mummy Kharis (Lon Chaney Jr.) to kill all those who had desecrated the tomb of the Egyptian princess Ananka thirty years earlier.

Two strangers find themselves inexplicably connected by an unknown energy, and all they have to show for it is a shared glance.

Whilst giving a bomb of a performance, a disgruntled Clown is thrown off by a loud-mouth Heckler.

Julien and Celeste are living together, barely functioning in a relationship as Julien incurs mysterious seizures which is tearing their relationship apart. An opportunity to baby sit Celeste's twin sister's new born baby and Julien is tasked with controlling his erratic behaviour caused by unknown reasons.

A crook robs the home of a mysterious old man with a terrifying secret.

Sébastien, a butcher, had been working for twelve years when a bill to ban the trade in animal meat forced him to close his shop. Determined to continue his job, he sets out on the road with the firm intention of opening a new butcher's shop in Italy. His path, punctuated by the passions unleashed by this political decision, will help him to make his own transition.

A scatterbrained girl harasses a lawyer in Cannes.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Florian König is in his early 20s and lives with his mother. He assists her whenever he can. In the weekly newspaper "Alt Ausseer Bote" he reports on a foundling that has been handed in at the baby hatch of Bad Aussee hospital, and is subsequently dismissed by editor-in-chief Anton Grimmeisen. But when the editor Caroline Moosbichler hears about it, she demands Florian's immediate reinstatement. He is to stay on the story. In the process, he finds out that the mother acted out of pure desperation, and he gets on the trail of the love between Jutta Lechner and Thomas Gschnitzer. This love is the origin of the child.