The film is a historical melodrama about a high government official who wants to marry a woman who is engaged to marry another man.

A large number of drugs enter Kazakhstan from Afghanistan. To stop this, a special group must be created. The Ministry decides to send intelligence officer Oraz and two of his friends there, who participated in the war in Afghanistan and know the country well. The three veterans are joined by a young scout who despises the "old men". They will have to solve the drug problem, despite the conflict between two generations.

"Double Down" is a neo-noir, domestic psychological thriller, in which a failing, morally compromised bond trader "Vincent" is so desperate to live up to his notion of manhood that he is goaded into making a fateful bet. Ultimately, after being forced on the run, Vincent makes a devastating discovery about the circumstances of his life.

Flotsam (Thomas) is the daughter and helper of crusty old lighthouse keeper Joe Clark (Edward Ellis, in fine form). The reason why Clark lives 'out yonder' is because he's a fugitive from justice: years ago, he killed a man under complicated circumstances. Clark's official assistant is Amos Bart, but Flotsam does much of the work of maintaining the lighthouse.

The band "Techno Brothers" played by Watanabe, brother Watanabe Yuji and pal Kurosaki Takanori, go to find fame and fortune in Tôkyô. It’s more accurate, though, to call it their manager’s plan. Named Himuro, she channels the look and attitude of famed Vogue editor Anna Wintour, from her bobbed hair and ever-present sunglasses to her commanding air and iron will.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

The encounters and relationships that a brothel hotel witnessed, from a well known man in power, ambitious cunning youngster, to chivalrous college professor, despite such corrupt business ,true love found a place in some hearts.

A scathing portrait of the Hollywood/LA arts milieu of the late 70’s, Chameleon follows the amorphous day of its lead character, an Armani-jacketed peddler of high-class dope, fraudulent art, and preening postures suited-to-fit the changing victims, though as with all such fakery, the real victim in the long run is the person who lives such a life.

I was a ghost myself is a film following a ghost’s footsteps, psychogeographically trailing through a city where the ancient intertwines with the modern. The ghost haunts this itinerary of places projecting its haunts as light in moving images. As an archaeologist, the ghost portrays the present to uncover the past layer by layer through cracks and reveals, exposing herself with her memories and of others who have come and gone before. During two years of shooting, the filmmaker visits the town she grew up in and the city she later lived in. Starting in the city’s historical peninsula, in the ruinous dungeons she asks ‘is there cinema after death?’ She then visits her childhood town to see her grandmother’s grave, her old family house and school. Filmed entirely with expired/old stock super 8mm film, handmade camera lenses and scratched film technique, the beams of light, dust and aged texture of the film compose the ghost in its emotional state.

Suso, a young unemployed man, spies a young woman who throws herself off a cliff, before he could do anything about it. Suso will seek answers that awaken memories of the past and even make him rethink his true identity.

About a kidnapped hostage's life, and the frustration his family, a special ops team, and a man in charge of delivering the ransom money all feel as they rush to save him.

Set in the 1970s, Angela, a college student, returns to her ancestral home to care for her ailing grandmother. She argues with her eccentric mother within the old house’s walls, slowly uncovering hidden truths about her family’s tumultuous past and drawing her into a personal and political labyrinth from which she must find her path out.

A crop of millionaire inmates struggle to get accustomed to prison life, while inmate Nick Burton watches out for everyone's interests on the inside.

Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.