The Big Shave
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene. Many film critics have interpreted the young man's process of self-mutilation as a metaphor for the self-destructive involvement of the United States in the Vietnam War.
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Pas de Deux
Two ballet dancers perform a dance enhanced with surreal after-image visuals.
American Boy: A Profile of Steven Prince
Martin Scorsese spends an evening with larger-than-life raconteur Steven Prince—a former drug addict, road manager for Neil Diamond, and actor—as he recounts stories from his colorful life.
Apocalypse After
An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.
Protocole Sandwich
In a wild uninhabited desert, a team of rangers is in charge of rescuing people who got lost there. One of them, Jean-Mi, is going to draw apart from the group and meet an unexpected character.
Destricted
A compilation of erotic films intended to illuminate the points where art meets sexuality.
Alive in Joburg
A documentary-style short film about the arrival of an alien spaceship over Johannesburg, South Africa.
Take One: Fear on Film
Mick Garris hosts this look at horror films with John Carpenter, John Landis and David Cronenberg all discussing their favorite scare films as well as what they think makes them work.
Undersea Fantasy
The tale of two fish in love, threatened by an octopus and saved by an eel.
The Atomic Cafe
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
São Paulo, Incorporated
Carlos is a young man from the São Paulo middle class who works for a big company during a time when foreign automobile industries were settling in Brazil. Shortly after, he accepts a job at a factory that makes automobile parts, where he becomes manager. To a certain extent, he is a family man who works hard, earns well and lives unsatisfied. Without any prospects in his life to change the condition he rejects, his last resort is escaping.
Bushwhacked
A inept courier realises he has been used by criminals to deliver money. On the run from both the criminals and police, he poses as a Scout leader and leads a scout group on a hike through the mountains.
The Psychic
A woman with psychic powers has a vision of a murder that took place in a house owned by her husband.
The Married Woman
A superifical woman finds conflict choosing between her abusive husband and her vain lover.
The Flying Deuces
Ollie falls in love with a woman. When he discovers she's already married, he unsuccessfully attempts suicide but he and Stan then decide to join the Foreign Legion to get away from their troubles. When they’re arrested for soon trying to desert the Legion—they escape a firing squad by stealing an aircraft.
The Audition
Robert De Niro and Leonardo DiCaprio must compete for the lead role in Martin Scorsese's next film.
The Pills: Sempre meglio che lavorare
Three life-long friends struggle with an early middle-age crisis as they start to try to get a job for the first time. An ironic quest to avoid becoming an adult and accept responsibilities.
Who's That Knocking at My Door
A Catholic New Yorker falls in love with a girl and wants to marry her, but he struggles to accept her past and what it means for their future.
Sweet Sixteen
Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.
Into the Abyss
We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.