An American journalist is traveling to Russia to find the newly invented "Love vaccine".

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

The story continues with the young couple walking down the same desolate road. They flag down a sheriff's car for help. As the sheriff gets out of the car, they notice another sheriff's officer tied up in the back seat. Which one is dangerous?

The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.

A government agent cursed by lycanthropy goes on a dystopian fueled adventure to find his son, who has parted ways with his father.

Sex and Cinema is a steamy trip through the looking glass of the camera lens, depicting how sexually charged films reflect our own sexual liberation. It will unzip America's obsession with sex, both from a cinematic and social perspective, exposing the hypocrisy inherent in our culture's war against eroticism (be it film, art, literature or song lyrics). The special will look at many films that push the boundary, from mainstream studio films to product that in its time has been considered pornographic.

Behind the chaos and creativity of the making of 2003's THE MANSON FAMILY directed by Jim Van Bebber. This feature-length documentary was included on the film's unrated DVD and Blu-ray releases from Severin Films.

Benjamin's lack of love and company has placed him on the blurry borderline between fantasy and reality, where it can be hard to understand what's what. We meet Benjamin in the room in which he lives his life - see his confusion, his obsessive thoughts and colorful imagination.

Alvarito a blind marathon runner and the intellectual Dr. Villafañe are lost in the vast and desolate pampas. One, seeking to reach his goal, the other trying to find the present, but both longing to find themselves.

A young man races to save his son's life, but death – incarnated in the child's imagination as the titular Erl King – calls unceasingly.

Diana and Deric have an ideal marriage: they thrive in each other's company, they're funny, and they enjoy their two grown children and Deric's dotty mother; the trouble is, Diana can no longer walk and her malady defies medical diagnosis. To care for Diana, Deric is letting his business slide, but at a civic luncheon, he is seated next to Aileen Armitage, a novelist who is blind. They have a nice time, and on the sly, Diana contacts Aileen to made an odd request. Diana's declining health and her resolve bring this triangle of unlikely friends to a surprising place.

A group of women who have been wronged by various men or groups are given a chance at vengeance. One woman, once beaten to a miscarriage, trains these once mistreated women to become artful killers; using their looks to get close to targets. In the end, though, two befriended women find that not all is as it seams and vengeance without conscience is worse then the acts committed by their targets. Deception, reversals, and betrayal on all fronts fill this journey into the minds of the abused; and the world of the dark art of vengeance killing.

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

A pair of thieves operate in the American South between 1911 and 1915, stealing from rich, white capitalists, and giving to Mexicans, Native Americans and poor whites.

Lenny Upton combines euthanasia with his used furniture business to provide suicide assistance to melancholy customers with a death wish. Armed with a briefcase full of weapons and an eye for antiques, he custom designs a personalized death experience for his one-time clients. All sales are final in this short film that takes a darkly comedic evaluation of the value of life and used furniture.