A university student has the usual dreams and aspirations. It turns out to be a pipe dream and so she murders her own flesh and blood. The usual media heads seek an answer in order to sell copy. A psychologist is writing a book about the character and incident. Her research for the subject matter turn the psychologist inward and things come out of the shadows that perhaps are better left buried deep in the shadows of the psyche.

An untouchable girl is found dead with her illegitimate child, the child is adopted by a postman, a high caste Hindu. No one knows the true identity of the real father of the child, until the child real father, also an upper caste Hindu acknowledges paternity. As the story unfolds, the real father becomes agitated by guilt and anguish and then finally questions his previous actions. The film ends with the Masters own resolutions and true acceptance of his own child and self.

Simpson Street is a portrait of a neighborhood in New York's South Bronx shot during the 'Summer of Sam', 1977. It opens with a brief history of the neighborhood and a description of the causes of the fire storm that destroyed an area of New York the size of the city of Boston. The focus though is on the life that remains. Watch for a brief glimpse of DJ Flash (now better known as Grandmaster Flash) running the turntables at a party on the roof of a settlement house called the Casita Maria on .... Simpson Street.

No one takes the clumsy Max Klopstock seriously. Even the gluttonous goat makes fun of him. Max wants to prove his worth to his father and lovely Lotte. So he packs his knapsack and heads out into the world like his older brothers Emil and Joeckel did.

A father escapes his stressful life with his many tadpoles to his favourite hideout by the river. His peace and quiet is suddenly disturbed by his neighbour's attempt to catch the fish of his dreams.

After a toxic spill creates an infectious outbreak, causing people to be filled with rage and turning to cannibalism, four survivors converge upon a house nestled deep in the woods. Together, they must try to survive the madness happening outside, the uncertainty and each other. As things become more grim, hope fades and supplies run low, people’s true selves begin to show. The four must try to survive the monsters outside and within.

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

The Mannequin, a horror short film about a mannequin who just wants his arm back.

A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.

BIG PLANS follows the petty and irresponsible crook Willy, who has a massive fondness for music. Though he's 38 years of age he will not give up his lifelong dream of becoming a famous musician. When he gets paroled he therefore decides to revive his old band to prove to his eight-year-old son, Mikkel, that he isn't the failure everyone thinks he is.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.