Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.

A young photographer's home is haunted by it's former residents.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

Mexican feature film

A group of crazy bikers meet up with a group of drug-addicted hippies in a small town, but the two roving factions are soon at odds with one another and chaos ensues.

After Leon left his team in the historic 25-1 defeat against the national team, Die wilden Kerle broke up. Only the little Nerv still believes in his old heroes and tries to bring the grown-up guys back together with the help of his dreaded side puller. Leon's former best friend Fabi has meanwhile founded his own team, the girls' team, "The Beastly Beasts", and challenges "The Wild Soccer Bunch" to a duel in the Nattern Cave.

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

When Altan swipes prescription drugs from his brother Nuri's pharmacy, they soon find themselves on a dangerous but funny road trip to get rid of the stuff and escape the mafiosi Altan tried to double-cross. Along the way, the brother who are compete opposites finally bond.

A woman who suffers from AIDS decides not to surrender to the fatal disease. She exerts huge efforts in trying to recover or by helping those who suffer the same disease by giving them glimmers of hope.

The Scarecrow is testing out a new virtual reality video game and it starts to get a bit too real...

The NRA has become an increasing force of political influence, challenging gun control legislation as a direct attack on personal freedom. This deep dive into American gun culture is a passionate call to action.

Teens in cabin get murdered by cult

A reinvention of Cluozot's L'Enfer

The Chinese medical drama-thriller “Sentence Me Guilty” gives too much away in the early running and has nowhere special to go after that. Centered on a female doctor framed for highly unethical behavior in the wake of her young daughter’s death, the pic has some intriguing elements but generates little tension and doesn’t deliver the emotional clout auds might reasonably expect from a tale involving a grieving mother.

A profile on martial artist John Liu and the making of his "lost" U.S. directorial debut, New York Ninja.

Facts is a dramatization of a massacre in a Lithuanian village during World War II when Nazis rounded up over 100 men, women, and children accused of partisan activity and then torched the houses in which they were held. Using Russian interrogations of a few survivors, the testimony of villagers, and some of the Germans responsible for the killing, the film gradually reconstructs the event and its context.

‘In Football We Trust’ captures a snapshot in time amid the rise of the Pacific Islander presence in the NFL. Presenting a new take on the American immigrant story, this feature length documentary transports viewers deep inside the tightly-knit Polynesian community in Salt Lake City, Utah. With unprecedented access and shot over a four-year time period, the film intimately portrays four young Polynesian men striving to overcome gang violence and near poverty through American football. Viewed as the "salvation" for their families, these young players reveal the culture clash they experience as they transform out of their adolescence and into the high stakes world of collegiate recruiting and rigors of societal expectations.