A young man happens upon a strange, isolated village which is oppressively ruled by foreign soldiers. When he tries to inquire into what is going on, he is forced to flee to an island where a renegade medical doctor tries to force him into submission.

Jurek Kiler has become a VIP - sponsoring the Polish government, playing tennis with the President, meeting world leaders. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations and problems in his love life...

Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?

Enjoy a beautiful sunset from Sai Kaew Beach in Thailand as you listen to relaxing music and the gentle sounds of waves rolling into shore.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

In the heart of Istanbul, the forest of nothingness and a megacity, Omar and his daughter struggle for their lives after fleeing the war in Syria.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

David Attenborough recounts his very personal experiences with the mountain gorillas of Rwanda. Ever since they were discovered over a century ago, these remarkable creatures have been threatened by loss of habitat, poaching, disease and political instability. But despite all odds their numbers have increased. David tells the extraordinary tale of how conservationists like Dian Fossey have battled to save the mountain gorilla from the brink of extinction.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Arturo Gatti vs Micky Ward 1, has been the Ring Magazine fight of the year of 2002, a real boxing war between two very different fighters. Gatti, that was younger than 7 years, was one of the most beautiful boxers to see for his technique, while Micky Ward was a boxer that wanted to use his physical strength and a jaw of iron. Someone has labeled Micky Ward vs Arturo Gatti 1 as “The Fight of the Century” and therefore we understand why after this fight they will met in two other fighting

Tom chases Jerry into a fish cannery; they get sealed into cans. Tom breaks out, but falls off a pier as the cans roll under him. A shark chases him out of the water; Tom drops an anchor on the shark. Meanwhile, Jerry has been hopping in his can; Tom opens it, and puts his finger in, which Jerry bites. Jerry tricks Tom into falling off the end of another pier, and right into the shark's path again. The shark manages to get Tom into a very precarious position, barely holding the jaws apart. Jerry takes pity, and dumps a shaker full of pepper into the shark, which ends up on the processing line and stuffed into a huge can. Tom is unrepentant, so Jerry tricks him with a fake shark fin.

Club X, one of Thailand's most famous urban legends, a hidden community where people from all walks of life gather to discuss their most bizarre sexual experiences. They start to attract attention when a member stalks a famous actress and photographs her naked. The police send Ja to investigate.

Strawberry Shortcake berry bake shop adventures.

A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.

Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.

Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”

Two people in an impassioned embrace on an ocean pier as Harvey and the Moonglows start singing “The Ten Commandments of Love”. “In the autumn of 1979 I was looking through a stack of old film stills in a secondhand record shop. I found a still from King Creole and decided that I would make a film from it. I had 10 new prints made from the still and hand tinted all of them. I seem to recall that at the time the image of 1950’s love on the waterfront was irresistible, although with hindsight the film looks like an exercise in formalism” (Cordelia Swann)