A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

The leader of a marching band demonstrates an unusual way of writing music.

A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.

The film recreates the final events leading to Italian unification in September 1870.

Two soccer stories: Alvaro Presutti is a referee who seems to be the last to know about his wife having an affair with a German soccer star. Amedeo Amedei has to please both his father, a die hard Roma supporter and his future father in law, who supports Lazio.

Timecode is a 2016 Spanish live-action short film directed by Juanjo Giménez. Luna and Diego are the parking lot security guards. Diego does the night shift, and Luna works by day. One day, Luna's boss asks her to investigate a broken tail light. It won the Short Film Palme d'Or award at 69th annual Cannes Film Festival in 2016. It is also nominated for an Academy Award for Best Live Action Short Film at the 89th Academy Awards in 2017.

Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.

Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.

An early version of the classic, based more on the 1902 stage musical than on the original novel.

Six-year-old Ataru steps on Elle's shadow during an impromptu game of shadow-tag; in Elle's culture, this is viewed as a marriage proposal. Eleven years later, Elle returns to Earth in order to marry Ataru — by which time not only had he forgotten the events of his childhood, but he was also going out with Lum. The rest of the plot focuses on Lum's attempts to prevent the marriage. The film was directed by Mamoru Oshii who was mad at the many requests that the producer made of him to alter the movie. Rumiko Takahashi considers this film her favorite and it is the most true to the original series.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

"Nothing new, but an old thing done over again and done well. Some one has attempted to describe a kiss as "something made of nothing," but this is not one of that kind, but one of those old fashioned "home made" kind that sets the whole audience into merriment and motion, and has always proven a popular subject. It is very fine photographically and an exhibit is not complete without it." -Edison film catalog.

After his father is killed in a car crash, Jack travels home to Colorado to help nurse his mother (who was injured in the crash) back to health. There, he uncovers long buried secrets and lies within his family, his friends, and his very identity.

In this parody of 1903's "Great Train Robbery", also made by Edwin S. Porter, young bandits rob the passengers of a kiddie train and are chased by police officers.

Two troubled youths break out of their halfway house and make their way to one's home.