A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

Between Bresso, Sesto San Giovanni and Milan, we immerse ourselves in the lives of Vash and Felce, who together make music, do heroin and share everything. Their reality is sometimes brutal, often comical, tragic and romantic.

Professor Malcolm Evans leads his archaeological expedition into the Valley of Temples in southeast Sicily. His companion and former student, Liza Harris, is looking forward to her very first dig. But Liza feels a strange sympathy with the valley and her recurring nightmares seem strongly tied to the nearby ruins. She is drawn to the remains of a 16th Century convent and its grisly legend of crucifixion. The local villagers rise to protect the entombed secrets of their ancestors, as Liza's obsession with uncovering the truth takes her deeper into the forbidden ruins and further from sanity!

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.

A fascinating and poetical collage of countless images from the 20th century with the purpose of revealing matters of life and death during the era and its many social, cultural and political transformations, with the director making several statements on several issues, combining fact and fiction to compose his powerful mosaic of images along with the magnificent music of Wim Mertens. A true work of art that dares to make several questions about the human condition, its contradictions and ironies.

The film tells different stories in a kind of parallel Germany about love, affection and hatred.

Returning home from a business trip to discover his wife missing, a man delves deeper and deeper into a surreal kaleidoscope of half-baked leads, seduction, deceit, and murder.

An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complimentary or if they strive to eliminate one another.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

A high-school student and a drug pusher land in a nuclear-wasted river and come out zombies.

Adventure, crime and mystery combine with comic book dialogue and some sadistic sex for good measure. Playfully perverse, pistol-packing fun with Yoko and the alluring Francoise Blanchard.

In 20 years’ time, there will be nearly 1.6 billion smokers around the world. Approximately 70% of smokers want to quit. The United Nations’ World Health Organisation expects a billion people will die prematurely from smoking this century. The products their doctors recommend are rarely effective and many are trapped. A new vapour technology was invented to give smokers a successful way to quit. But it was quickly demonised, and even banned in many countries. A perfect storm is brewing between smokers trying to quit, government regulators, and health charities funded by the powerful pharmaceutical industry. Director Aaron Biebert travelled across four continents interviewing doctors, scientists, and others working to save a billion lives. What he found was profound government failure, widespread corruption in the public health community and powerful subversion by big business.