“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.

Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complimentary or if they strive to eliminate one another.

Returning home from a business trip to discover his wife missing, a man delves deeper and deeper into a surreal kaleidoscope of half-baked leads, seduction, deceit, and murder.

After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.

An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.

After World War I, a young ex-soldier, Sébastien Monge, returns to his home village. Ignorant of his past, he learns that, 24 years before, his entire family was slain in their home one stormy night. Only Sébastien, then a four-month old baby, was spared. Whilst Sébastien is being seduced by Charmaine, Dupin is killed by someone else. Sébastien’s next victim, the miller Didon Pujol, is also murdered before he has a chance to take his revenge. Sébastien realises that someone is watching his every move and is going to extraordinary lengths to protect him. But who, and why..?

A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself.

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

A fascinating and poetical collage of countless images from the 20th century with the purpose of revealing matters of life and death during the era and its many social, cultural and political transformations, with the director making several statements on several issues, combining fact and fiction to compose his powerful mosaic of images along with the magnificent music of Wim Mertens. A true work of art that dares to make several questions about the human condition, its contradictions and ironies.

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

An idealistic, sophisticated young woman meets a rough-around-the-edges, blue collar man and rejects him, only to find out later that they are destined for true love together, despite the fact that he cannot now pass his certification test after she threw him out of her adult education class.

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

Vera is a troubled teenager fresh out of school feeling trapped in her provincial port town during the turbulent times of perestroika. Her days and nights are filled with drinking, sex, and family dysfunction.

A woman and her brother fly to New Guinea to look for a lost expedition, led by her husband, which has vanished in the great jungle.

The film tells different stories in a kind of parallel Germany about love, affection and hatred.

Desperate to help her son, Rabiye Kurnaz, a housewife and loving mother from Bremen, goes to the police, notifies authorities and almost despairs at their impotence and in the end, against all the odds, something truly remarkable happens.