A sad Arabian queen is cheered by her attendants, a Queen Bee rules over a hive of adoring drones, and a teenage girl is transformed into a queen in a colorful musical fantasy inspired by old Hollywood musicals.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Some Analog Lines is a playfully philosophical, surprisingly personal essay film that examines the dichotomy between digital technology and the artistic process of filmmaking. It is about animation, computers, clay, celluloid; a paper mask; a wooden shelf. More importantly, it is about what we respond to when we watch a film, and why.

Lipstick, which has been around since the beginning of time and over the centuries has been considered both a symbol of power and an instrument of submission, is used by all kinds of women: queens and politicians, actresses and singers, workers and makeup lovers.

Jerry, with the help of a mouse friend, is lowered on a fishing line, abuses the sleeping Tom in various ways, and is yanked away before Tom sees him. First, he hits Tom with a fireplace shovel and plants it in Tom's hand; next, he puts a gun in Tom's hand and pulls the trigger; he puts a noose around Tom's neck; positions a ketchup-covered knife (complete with ketchup "wound"); and finally puts Tom into an archery bow. Tom finally gets his revenge,

Six kidnapped strangers wake up in cages in a remote hangar. After the initial panic, questions start running through their heads. How did they get there? Why are they locked in cages? Who is the one who imprisoned them?

The movie shows a smattering of images from the story of Wilhelm Jensen's Gradiva. The subject is sublimated desire.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

Alexa witnesses a simple mahjong night turned bloody when all the player's dark secrets are discovered - including Alexa's illicit affair with her stepfather.

Visitors at a historical fair in the mediaeval city of Dresden.

At the theatre, a 'Paramouse Noose Reel' and a Bimbo and Koko cartoon are followed by Betty Boop's stage performance; she sings and does imitations of Helen Kane, Fanny Brice and Maurice Chevalier.

Sleepless Nights and City Lights is the first ever live DVD from Australia's most prominent Hardcore/Metalcore act. This feature length DVD captures the band in front of a rapturous home town crowd at HQ's in Adelaide tearing through songs from the bands entire career. It also includes in depth interviews with each member discussing their rise, break up and the possibility of a return.

A woman is confronted by a stranger, who believes she’s been edited out of their story.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

"In this journey, Courant's heroine wanders through the clouds and Pyrenees mountains way after the world's destruction [...] Songs by Brigitte Bardot, Marilyn Monroe and Leonard Cohen, scores by Vivaldi, Kraftwerk and Johan Strauss, they all form this eclectic and defying musical atmosphere from which Courant dreams about a point of view that would allow him to find a rhythm in a constantly changing abysmal paradise" -Diego Trerotola