“Showrunners” is the first ever feature length documentary film to explore the fascinating world of US television showrunners and the creative forces aligned around them. These are the people responsible for creating, writing and overseeing every element of production on one of the United State’s biggest exports – television drama and comedy series. Often described as the most complex job in the entertainment business, a showrunner is the chief writer / producer on a TV series and, in most instances, the show’s creator. Battling daily between art and commerce, showrunners manage every aspect of a TV show’s development and production: creative, financial and logistical.

The Crash Reel tells the story of a sport and the risks that athletes face in reaching the pinnacle of their profession. This is Kevin Pearce’s story, a celebrated snowboarder who sustained a brain injury in a trick gone wrong and who now aims, against all the odds, to get back on the snow.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

From America's greatest beardsman, to Morgan Spurlock's own mustache, Executive Producers Will Arnett, Jason Bateman, and Ben Silverman bring us a hilarious look at men's identity in the 21st century. Models, actors, experts and comedians weigh in on what it is to be a man in a world where the definition of masculinity has become as diverse as a hipster's facial hair in Williamsburg. The hilarious follicles of men's idiosyncratic grooming habits are thoroughly combed over as men finally take a long hard look in the mirror.

A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.

Pat Tillman never thought of himself as a hero. His choice to leave a multimillion-dollar football contract and join the military wasn't done for any reason other than he felt it was the right thing to do. The fact that the military manipulated his tragic death in the line of duty into a propaganda tool is unfathomable and thoroughly explored in Amir Bar-Lev's riveting and enraging documentary.

Pablo Escobar was the richest, most powerful drug kingpin in the world, ruling the Medellin Cartel with an iron fist. Andres Escobar was the biggest soccer star in Colombia. The two were not related, but their fates were inextricably-and fatally-intertwined. Pablo's drug money had turned Andres' national team into South American champions, favored to win the 1994 World Cup in Los Angeles. It was there, in a game against the U.S., that Andres committed one of the most shocking mistakes in soccer history, scoring an "own goal" that eliminated his team from the competition and ultimately cost him his life. The Two Escobars is a riveting examination of the intersection of sports, crime, and politics.

A spoiled teen’s birthday bash turns killer after she convinced her parents to re-open a roller skating rink where a series of brutal murders took place and the killer comes back to wreak havoc during her party.

A feature length, theatrical documentary on the life of Paul Gascoigne, one of the greatest footballers that ever lived: delving deep into his psyche, vulnerabilities, fears and triumphs.

A woman fights to convince the police that she witnessed a murder while looking out her bedroom window.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Nine people are stuck in an elevator. One of them has a ticking bomb that can't be defused. The other eight will do anything to survive. There is no escape and no promise of rescue. As the tension in the elevator mounts the unthinkable soon becomes the only reasonable solution.

The Moomins along with Little My and Snorkmaiden had a sea journey that after storms and desert island dangers leads the family to Riviera, the place that takes their unity to the test.

The film tells a warm and realistic story, thinking and facing the ultimate problem that every ordinary person will face-imagining that death may come at any time, the only thing we have to do is love and cherish.

Scientists Richard Dawkins and Lawrence Krauss travel the globe promoting a scientific worldview and the rational questioning of religious belief.

Ensemble film revolving around characters living in Forest Gate, London. Over the course of a few days, six inter-linking stories explore issues of drug use, prostitution and urban poverty.

A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The antics of these kids, their families, of the "West German" friends and relatives who come to visit, and of the East German border guards, all serve to illustrate the absurdity of everyday life on the Sonnenallee, and therefore throughout the former East Germany.

This 2005 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness and how it manifested itself in demonic self-obsession.

In this chilling and groundbreaking documentary, former Indonesian death squad leaders reenact their real-life mass killings in the style of various film genres, from gangster epics to musicals. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia’s 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.

Errol Morris's unique documentary dramatically re-enacts the crime scene and investigation of a police officer's murder in Dallas.