In the African jungle, the narrator introduces us to the various birds living there and to wildlife photographer Donald Duck intent on getting some pictures. Unfortunately, all his attempts to photograph birds are ruined by the "clown of the jungle", the Aracuan Bird. Example: when Donald attempts to photograph a chorus line of hummingbirds, the Aracuan Bird interrupts the picture with a Russian kick dance. Donald becomes aggravated to the point where he gives chase but the bird always manages to outsmart Donald and make short work of his sanity.

Two unsuspecting thieves break into the wrong house and must face a sinister home owner.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.

The lives of a newly married couple and their mutual friend unravel after the wife becomes the victim of a gang rape during a honeymoon.

An adult man is recalling his childhood years in North Russia during WWII.

Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.

The seamstress Manuela, Tati's single mother, moves from the suburbs to Copacabana but faces severe financial difficulties. A friend of Manuela's sometimes fills in for Tati's father, giving the girl temporary happiness.

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

At a meeting of the bureau, under pressure from the first secretary of the district committee of the party, the agronomist of the collective farm Boris Kholmovoy was dismissed and expelled from the party for allegedly arbitrary actions. Disagreeing with the decision of the district committee, Kholmovoy files an appeal. The secretary of the regional party committee Plotnikov, wanting to understand this complicated matter, goes to the collective farm.

Lisa, a widow on vacation with her son, meets Alessandro and falls in love. The man is actually a former agent of the communist Germany who escaped from Berlin and is pursued by some former colleagues.

A bicycle messenger sees a girl being brutally assaulted and dragged into a van. She immediately calls the police, but unfortunately the girl is found too late. It turns out that the murdered girl has been the victim of a serious sexual crime. Detective Inspector Irene Huss and the rest of the team begin to look for the murderer, but have very few clues to go on. When another young girl is murdered in a similar way, the team realizes that they are dealing with a sexual predator. How does he get in touch with the girls? Why do they agree to meet him? Why are they wearing special underwear?

Eight-year-old Lulu gathers snails in the park where she goes every day with her mother. Her obsession with the snails leads her to develop a special relationship with a strange foreigner who haunts the park–with unexpected results.

Biography of the legendary filmmaker directed by his son.