With a price on his head, Ichi seeks tranquillity in a favorite village. Since his last visit, it has fallen prey to Boss Masagoro, the son of a merchant rumored to have stolen gold from the shogunate. The boss has hired Yojimbo as his hard-drinking enforcer, but Yojimbo is both a spy for the shogunate, trying to find the gold, and in love with the merchant's unwilling mistress, Umeno. Ichi hires on as the merchant's masseur and buys Umeno's freedom with his employer's own money. This embarrasses Yojimbo who withdraws from a pact with Ichi to stir up trouble between father and son and their gangs. As the two sides fight, Ichi finds the gold and sets up a final set of confrontations.

A young woman is trained by a professional assassin to become her partner in crime.

A reforming ex-gangster tries to reconcile with his estranged policeman brother, but the ties to his former gang are difficult to break.

A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them.

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

Eun-a, who was living a happy life with her family, loses everything to a psychopath serial killer. After the tragic incident, she gathers four people with different talents who are in need of organ transplants to achieve her revenge.

An international drugs deal goes wrong, and two New York hit-women are dispatched to Rome, Italy, to get the missing pay money. Even before departure the girls have a poolside hot party with two young men, and when they get to their hotel in Rome, they share a shower and an intimate moment together. At the beach, they make eye contact with a pair of Italian gigolos, then use judo and wrestling holds to dominate them - and impose their feminist supremacy. Finally, they will get close to the money, but their mission is made easier as the top men are fighting each other for it.

In 1952, as England prepares for the coronation, two very different men have one thing in common—a face.

Going on a business trip, the hero of the film suddenly finds himself in a fantastic city. It is very similar to our world, only the hidden absurdity of everyday life here has become apparent.

Ching is a prisoner in a Hong Kong jail that has a large population of Mainland Chinese prisoners. Ching escapes to see his young son, who he has been put in an orphanage. He surrenders himself to authorities, but the vengeful chief of security, Zau, arranges for Ching to be set up in the eyes of the Mainland gang.

Manne, Harri, and Ville Alfa are rootless twenty-somethings in search of purpose for their banal lives. After Manne steals a priceless painting from a group of petty criminals, Manne and Harri flee from the gangsters across Finland, while Ville goes to Paris. On the road they meet Veera, an old girlfriend of Harri's, and try to avoid the gangsters in pursuit.

Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.

Two friends who own an investment firm turn to a policeman friend for help when they are framed for robbery by a gang of antiquities smugglers.

Faro is a real goddess of a real tribe (the Bamana) in the West African country of Mali. In a landlocked country like Mali, covered in part by the Sahara Desert, water is a resource that can never be taken for granted. The Bamana village in Faro: Goddess of the Waters not only sits on a riverbank, but also depends for much of its food on fish from the river. Faro is the dominant character in this film, the unseen force for which all action takes place. (c) Ferdy on Films [Marilyn Ferdinand]

In Hong Kong, Ho Chen-tung is the aging Mob boss, living by a code of honor, keeping peace among rival factions. For years, he has been estranged from his son, Hui, who lives in Australia. Tung has become a sort of father to Han, a Vietnamese refugee who also lives by an ethical code. At the same time that Hui reaches out to his father, the Hong Kong CID conclude their years'-long effort to get the goods on Tung and his associates. Tung expects the younger gangsters to live by the code he loves, but at his trial, he has a surprise coming to him. It may be up to Han to restore the balance.

An American-Chinese man brings over his wife from China to America, but the challenges of making a living and adjusting to a new life, plus the attentions of a gambler threaten their marriage.

Three childhood friends from the slums of Hong Kong flee to war-time Saigon after accidentally murdering a gang leader, but their troubles only escalate.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

A nuclear warhead launched by Soviet insurgents protesting the waning Cold War destroys the Ukrainian city of Donetsk. The destruction sets off a race between American and Soviet politicians to prevent a nuclear holocaust. While the U.S. president feverishly works to keep the military and political machine from going into overdrive, various subordinates panic. When the president is believed to be killed in a helicopter crash, zealous advisers take over.

An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.