When they are unexpectedly forced to move in with an estranged relative, the Smart Family must navigate oversized dreams, identity struggles and regional theater in this warmly observant family comedy.

A family faces a difficult farewell after breakfast one morning.

Recorded live at Kijów-Centrum, Kraków, 7.11.2015

A collective of office girls and their tribulations in the male world, female solidarity, the place of women in the labor and civil rights struggles and the conflict between love and work.

Mirai Takatsuki is a seemingly normal teenager, but when he was a child his life was saved from a terrible illness thanks to magnanimous donations from the local community that paid for his medical bills. Ongoing media attention and the pressure to excel have prompted Mirai to have suicidal tendencies.

Doppelherz is a short, surrealist film by American musician Marilyn Manson that was created during the making of "The Golden Age of Grotesque" album.

Pro Wrestling NOAH caps off a thrilling year with their final Budokan event of 2005.

Her father fled Mao's Cultural Revolution, going to Hong Kong. Not long after, he joined the great Chinese exodus to the West and started a restaurant in Maastricht. But was his personal story really so closely interwoven with the history of China, Yan Ting Yuen wonders in this family portrait.

Harnek Singh alias Nek (Kulbhushan Kharbanda) is an honest farm worker who works hard for his employer, landlord Jagirdar Joginder Singh (Amrish Puri). Nek is in love with village belle Kammo (Rama Vij) and hopes to marry her after he accumulates enough wealth and some land. But one day Jagirdar, unable to conceive a child with his wife Jassi (Sushma Seth), sets a plot into motion. While Nek is away on a work assignment, he will pursue Kammo. After the landlord rapes Kammo, secrets, trauma, and the twists of love and fate reverberate through multiple generations.

The story begins with a swashbuckling thief, Surendra (Nandamuri Balakrishna), also a master of disguise, who always targets Vidhatha (Charan Raj), dictator of the city and he is being tracked down by SP Indrani (Sharada), an efficient Police officer. Surendra contracts a multi-speciality hospital for work free of cost with all this money. Whether Surendra and Indrani will be able take revenge against Vidhatha, and he will be able complete the hospital forms the rest of the story.

We all carry our leaves, some of winter, some of spring and summer. But all leaves grow, breathe and wither with time; and so do we.

When the movie opens Devan(Arun Pandiyan) murdering photographer Jeeva(Thalaivasal Vijay) in cold blood in his house. Jeeva strategically positions a video camera to capture the impending murder but Devan never shows his face to it. And when Jeeva shouts out the name of his killer before dying, the audio is lost at that point. While the police search for the killer, Devan zeroes in on Chetta (Saikumar) as his next target. He follows Chetta to Chandigarh but is apprehended by CBI officer Ratnavel(Vijayakanth). But once Ratnavel realises Chetta's true nature, he begins to help Devan, even hiring successful lawyer Chakravarthy(Karthik) to fight for him. The flashback shows that Devan's sister (Kausalya) was killed by Chetta, Devan wants to avenge the death of his sister. In the climax, villain is killed.

Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.

U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins come upon an overturned stagecoach with the driver and the passenger dead. They learn that the passenger, Hinkley, an archaeologist, has discovered an old Indian site that contains gold relics, and a gang has robbed him of the relics he was carrying. Jane Condon, daughter of Hinkley's partner who was also murdered, tells Nevada that an old Indian guide, Shag, is the only one who knows where the site is. The outlaws find Shag first, and kill him after forcing the information from him. Hinkley's son, Joel, arrives and knows where the site is and leads Nevada and Sandy there ahead of the outlaws.

Manoel de Oliveira's final work revisits one of his earliest films and celebrates a century of industrialization in Portugal.