"Tsubaki Sanjuro" is a remake of Sanjuro (1962) by Akira Kurosawa. Sanjuro returns with sharper, faster, subtler sword, talking and perception. He uses them to settle the trouble and uses them good!

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

A young girl is striving for stardom. In order to get a lead role in a new production, she agrees to stand-in for a famous star whose rich patron died in her arms one night. The real-life drama gradually comes to mirror the story of the play being performed by her.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

We must protect this house.

Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West's limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier.

Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.

Irelands Number 1 comedian Tommy Tiernan’s live stand up show Ok Baby filmed at this years (2007) Bud Light Comedy Revue at the Iveagh Gardens, Dublin with extra bonus material This performance was filmed in July 2007. In typical Tommy Tiernan style it’s not for the faint hearted or ‘easily offended’ – wicked, wild and ferociously funny, nothing is sacred. Chapters: Opposite of Mass Farmer Time Touch Me Outdoor Lover Man Dark Matter Hot Rain No God….T-Rex

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Marge Gunderson, the still pregnant police chief of Brainerd, Minnesota, investigates the murder of a town pharmacist, shot in a snowy parking lot by a stranger who was helping jump his car battery. Meantime, an old man dies of exposure in his ice fishing house, leading one of his sons to kidnap the body. Snow, snow, everywhere.

Emma's plans get thrown off course when Paolo returns to Italy to take care of his father and she discovers a new passion for making art accessible to all.

After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician's inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!

Prequel to the 2013 Charles A. Christman III short film "Masks" that shows the origins of how the man became "The Mask" and the internal struggle that later leads to murder. When Tim comes home from work, he finds his best friend waiting for him in a disoriented state. While trying to inquire and remedy the situation, he comes to find out that his childhood friend is no longer there and a darker, dormant presence is taking shape.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.