At the height of WWII, the Atlantic Ocean becomes a deadly battleground as an American torpedo boat fights against the constant bombardment of German forces.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

An old man is isolated in his home. Haunted by the loss of his beloved, he embarks upon a journey to return to her.

“Can one man bear the sins of the world?”

A rich but disliked elderly man invites his relatives to a family reunion at his home. Once the gathering is complete, he announces enigmatically that he intends to change his will before he dies. Before he can do this, he is murdered. His niece (Gynt), a detective story writer, has to put her theories into practice by solving a real-life murder mystery.

After decades of working in the printing industry in Kolkata in eastern India, Tarini has reached retirement age. He spends his days at home, having declined his son’s invitation to come to the United States. Then a friend shows him a help-wanted ad. Although he has never published a book, Tarini used to tell made-up stories to his friends in his youth, and the ad for a storyteller in Ahmedabad in western India piques his interest.

Apa Sherpa has climbed Mount Everest 21 times, more than any other human. But he wouldn’t wish this upon anybody. Having grown up in the remote Khumbu region of Nepal, Apa was forced to leave school and work as a porter at the age of 12. His dreams of being a doctor forever lost. It is a story all too common for the Sherpa people of Nepal, a story Apa aims to change with his work at the Apa Sherpa Foundation. In this visually stunning short documentary, we follow young Pemba Sherpa, a young child who must walk six hours a day to attend school. Pemba’s story is a present day reflection of Apa’s past, one where the draw of being a high altitude porter conflicts with the dreams of Nepal’s rural people, dreams made possible only through education and knowledge.

Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Five ex-soldiers go to a small town in Oregon to help a friend investigate the murder of his brother.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Hong Kong movie

A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.