Ster a young man with a degree in music from abroad come back to his hometown to be a student teacher in his Isarn rural town. He teamed up with his childhood friends to fullfill his promise of founding a world class MOR LUM BAND together. However, it’s quite difficult to find other to join thier band. So they sent out their audition tapes to annual music festival to promote their band. The journey towards success and fame winds through romance, dissappointments and discoveries.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Day 2 HoneyWorks stage for “Capture the Moment” Savor it. Treasure it. Continued growth since 1st fes. Cherished memories. Emotions. A future that is built to last. And this moment is no less precious. Treasure every moment, most importantly this very one. Here, now. In staying true to those ideals, hololive 5th fes. will take place on a three-sided stage – an unprecedented and monumental first for hololive production! Connecting past, present, and future, we aim to hold a performance the likes of which have never before been seen.

A young man decides to be a film director against the wishes of his family. Even after witnessing his father's downfall in the film industry, he doesn't give up on his dream. His love interest further separates him from the family. Without losing hope, he goes on to direct his autobiographical film 'Aathmakatha'. Will the success of the film reunite him with his lost soul and family?

Hosts Joe Pickett and Nick Prueher return with an eighth installment of VHS relics they’ve salvaged from thrift stores, garage sales and garbage cans across the country. Found Footage Festival: Volume 8 highlights include a collection of satanic panic videos from the 80s, a star-studded Desert Storm parade sponsored by Taco Bell, outtakes and on-air bloopers from over ten years of North Dakota local news, and selections from David Letterman's Video Collection, inherited by the Found Footage Festival when Dave retired. Recorded live at The Bell House in Brooklyn.

When Arvid, the most malevolent yeti in all of the North Pole has come in possession of the powerful Master Scroll of The Naughty Children, he enlists the scroll's powers to banish Santa, his sworn arch nemesis, to the Land Of Holiday Misfits, a dreary place from which no one can return. It's up to a boy named Finn and his mighty dragon Haldor to rescue Santa and save the day before it's too late!

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

In order for the revolution to live up to its promise, might love be the missing ingredient? Artist Dora García delves into the archives and finds in the searing writings of Alexandra Kollontaï, an early-20th-century revolutionary, a precious ally of queer and feminist movements in Latin America and elsewhere. A joyfully militant political film."

Animated experimental short-film by Edgar Pêra with Akademya Luzoh-Galaktika students. A cinematic homage to Max Ernst, Dziga Vertov, Jan Lenica, Terry Gilliam & Aurélio Paz dos Reis.

Part 2 picks up where the original film left off, with the program trying to recover from the devastation left by NCAA sanctions and scandals that had some calling for the school to drop football. The Hurricanes rose from those ashes to win another national championship, only to face new controversies when a booster used a Ponzi scheme to win favor with the program.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Esther goes into service in Victorian England, only to be seduced by the sweet talking groom William, who then takes off with his employer's daughter. Left alone to bring up the child, Esther manages and after 7 years has a chance at happiness. Then William turns up again...

Eight secret agents assigned to go undercover as stand up comedians in search of a comedian who becomes a liaison to the master criminal named The King, the most spectacular gambling casino owner in Asia.

After taking up with a charming cab driver, a wild and hedonistic teenage girl returns home to succeed her mother as a prayer woman.

Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.

The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.

A con woman tries to swindle her partner-in-crime husband with the help of one of her former marks. But is she to be trusted?

The final moments of Havana's buildings seen through the eyes of their inhabitants: before they are renovated - or collapsed altogether.