The play by Richard Brinsley Sheridan.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

A perfect ski vacation heads downhill in Winter Hollow, where any mention of Christmas unleashes the feared Headless Snowman. It's "A Scooby Doo Christmas" when Scooby-Doo and crew set out to melt the ferocious Frosty and save the holiday. It's no fun in "Toy Scary Boo" when all the toys in Happy Toyland start coming alive and wreaking havoc. In "Homeward Hound," a fiercely fanged cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, Shaggy and Scooby-Doo's wildest dreams come true when they win a tour of Munchville, home of Scooby Snax dough and it spells out a "Recipe for Disaster."

Short animation film about the fear of singing in public

The 5th volume of episodes from the hit TV series What's New Scooby-Doo, with four action-packed sports adventures. The Unnatural serves up a full plate of ballpark pranks and ferocious fastballs from Ghost Cab Gray, who wants to stop the current homerun king from breaking his record. The gang tries to stop a giant sand worm from wreaking havoc on the Enduro Slam 5000 offroad race in The Fast and the Wormious. A weird ghost monster called the Titantic Twist turns Daphne and Velma into Wrestle Maniacs. For a grand-slam finale the hockey mystery Diamonds Are A Ghoul's Best Friend introduces the chilling Frozen Fiend. When the gang dons sticks and pads, will they perform a hat trick...or get frozen stiff?

Three exciting stories of science fiction adventure set many years in the future. The Earth, once the hub of the Galaxy and its judicial system, is now wasteland. This and its survivors are all that is left of a bygone age after the most vicious intergalactic war ever seen. The Earth's colonies are devoid of any law enforcement system. It is the survival of the fittest (or meanest). The only law left is Ragnarok, a hard-hitting enforcer and his alien friend Smith, who travel the Universe in an attempt to see fair play.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.

Scooby-Doo and the mystery inc gang battle fiends and gobs of eerie monsters.

Maisy the animated mouse is back on hand to help youngsters learn their alphabet in a fun way. She is helped in this worthy endeavour by her chums Tallulah, Charley, Eddie and Cyril, who introduce each letter by both its name and its sound.

A noble family assigns their younger son to the convent. The youngster has an affair with a novice, who becomes pregnant. The brothers, exasperated by his arrogance, denounce him to the Inquisition. As a punishment, the boy is walled up alive and released after fifty years. Due to a mysterious miracle, however, he remained as he is, just like the novice he impaled.

Santiago 1984. Carmen, former JJCC, after being tortured by the CNI, works as an undercover agent. Francisco, an agent obsessed with her, infiltrates her in an advertising production company, meets Gastón, creative director. He discovers that he is planning a commercial in the mountains as part of an escape operation for a political prisoner. Carmen manipulates both of them, lying to Francisco and approaching Gastón, in order to join the operation and thus achieve her own escape.

Follows two young women as they decide to leave behind ordinary life and start their journey to becoming nuns.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

Deep in the heart of Autodale lives their Mayor. As old as the town itself, a once great inventor, now a gangly and decaying but undying thing which the townsfolk have long forgotten, but continue to echo his machine-obsessed beliefs.

Keith Haring, Robert Mapplethorpe, Norman René, Peter Hujar, Ethyl Eichelberger, Felix Gonzalez-Torres, Cookie Mueller, Klaus Nomi... the list of New York artists who died of AIDS over the last 30 years is countless, and the loss immeasurable. In Last Address, filmmaker Ira Sachs, who first moved to the city himself in 1984, uses images of the exteriors of the houses, apartment buildings, and lofts where these and others were living at the time of their deaths to mark the disappearance of a generation. The elegaic film is both a remembrance of that loss, as well as an evocation of the continued presence of their work in our lives and culture.