Defiant's crew is part of a fleet-wide movement to present a petition of grievances to the Admiralty. Violence must be no part of it. The continual sadism of Defiant's first officer makes this difficult, and when the captain is disabled, the chance for violence increases.

A distinguished surgeon, married to a beautiful woman, has the habit of watching his wife in secret. The man decides to grant his wife to the owner of a refined brothel to be able to observe her from behind a mirror.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

A poetic novel for adults about the love of a mother to her child and how she always worries for him.

"I'm gay, I'm a fag, I'm proud and I really love sex."

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

Live stage recording of the stand-up comedy show, with sketches and videos of old skits from 'Mai dire Gol'.

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

A documentary covering the 1988 Summer Olympic Games in Seoul.

From 'The Workshop of the Film Form'.

Oleg is forty. Larissa is over thirty. Twenty years he lived with his wife Tatiana, who knows from childhood (studied in the same class), he has a twelve-year-old daughter nick. Established way of life. Good job. The emptiness in my soul — from the dashed hopes. And to top it all — she, Larissa. Very welcome, but from the point of view of sound logic — it is made unnecessary. The affair lasts for a year. They love each other as passionately as it happens only in his youth. But his wife finds out about their affair. Learns and daughter. The girl really wants to help her mother. And to eliminate razluchnitsa of the lives of their families. But it comes out differently…

The story tells of Đình Phong and his friends: Ngo Kien Ha, Pham Quynh Bang, Sky - a funny Korean girl, and manager Lam - a greedy guy. The screenplay is based on the book Bắt đầu từ một kết thúc, an autobiography about the life of the ill-fated singer Wanbi Tuấn Anh.

Sadewa was shocked by his ex-girlfriend who suddenly returned and brought a child named Keshia. Keshia's arrival made Sadewa realize that his life would be destroyed and in disarray, until an accident changed everything.

On the morning of Christmas Eve, Robert travels, together with his daughter, from Tulcea to Bucharest. Robert has to take some black spawn to Mrs. Zina, a wealthy woman who lives in a select neighborhood in the capital. For his daughter, this is the first visit to the capital.

A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.

Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.

The film poetically explores the universe of two eccentric Montreal taxi drivers. Film places the viewer in the back seat of the taxi as Louis and Jamel take us for a ride in their cab from Port au Prince to Algiers, from overseas to the island of Montreal, the protagonists passionately discuss life, love and death. Aesthetically the film uses panoramic image multiplications to complement the magical realism found in the storytelling.