Dan Ward, reformed and last member of an outlaw family, meets Molly Clark in a rocky draw near town. Ted Wells, a henchman for Dan's enemy Jim Swain, attempts to shoot Dan but is outdrawn and killed by the latter. Molly disappears and Dan learns that she and Wells had ridden there together. Sheriff Bob Larimer tells Dan that Molly is in love with Bert Gilmore and tried to have him ambushed. Dan takes a risky job with mine owner Pember of getting the $10,000 payroll through to the mine. Swain suspects that Dan is carrying the payroll, but his gang is unable to stop Dan. Betty Pember disregards Dan's warning that the hills are filled with Swain's men and she starts for town. She is kidnapped by Gilmore and Molly and Dan ride to her rescue.

A lonely and embittered cab driver starts his own investigation in order to break the secret of a passenger he fell in love with.

This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.

A vigilante who is released from prison for a crime he did not commit sets out for one last blood-thirsty fight to seek redemption and vengeance.

The journey of a professional wrestler who becomes a small town pastor and moonlights as a masked vigilante fighting injustice. While facing crises at home and at the church, the Pastor must evade the police and somehow reconcile his violent secret identity with his calling as a pastor.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

A film about the 60s art scene in Rome. A unique moment in history, when in a flurry of cross-fertilization, painting, film and literature converged in pursuit of the "spirit" of the times. A sweeping portrait of a city that for a decade became one of the art capitals of the world.

Three young women with dark, curly hair stand on a stage with a black background and patterned carpet or tile underfoot. They wear tights, ballet shoes, and frilly dresses to the knee with multiple petticoats and ruffled drawers. They begin by raising their right legs up by their heads, and then perform a dance with a variety of kicks and leg movements, their hands either in the air or pulling up their skirts. The sisters also grab their right legs again and hop in a circle, then do cartwheels and land on the floor in the splits. Jumping back to their feet, the women twirl in circles and around each other in circles in what appears to be a type of pirouette, while holding up their skirts and showing their bloomers in a manner similar to the cancan.

Dragons return to Ever After High, and so does the Evil Queen. When the most epic competition and evil scheme starts at Ever After High, Raven and Apple must let go of their story conflict and save their beloved school together.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

An actress visiting Hollywood for the first time books a dream apartment on AirBnB, only to discover a horrifying presence is staying there with her.

A bold portrait of misguided youth as they learn the cruelties of life in the American Midwest.

This short film is shot as a part of a film directing workshop at IFA with a student only crew in eight hours.

Väinö Kehkonen, the head of a Helsinki-based construction company, takes his wife and the Ärmälä couple to Dr. Puosu for a rejuvenating hormone injection, which causes them to behave like children. The director, previously known for his lack of drive, gains energy and enthusiasm from the injection, both in his business and personal life.