Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes. The film contains the first use of intertitles in a film.

Lisa is fried in the heat of the sun. She is sick, miserable and out of water, but finds a lake to cool down in. A local sports-fisherman spies on her, but when Lisa drowns, he is stuck with a blond, naked "dead bait". What to do then?

The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

The story of Bari Lai Lai Lai follows Sita, a passionate writer who plans to create a vibrant music video. She enlists two models, Nikhil and Sanchita, to bring her vision to life. Nikhil, a strong and confident man, meets Sanchita, a beautiful and charming young woman, for the first time at Tower Bridge in London. From the very first moment, Nikhil is captivated by Sanchita's elegance, proving that first impressions truly last forever. As the music video unfolds, their chemistry grows naturally, and what begins as a professional collaboration blossoms into genuine love. The two fall for each other during the shoot and eventually start living together, their romance becoming a heartfelt part of the story behind the song. This music video combines the themes of love, destiny, and the magic of a first encounter against the iconic backdrop of London.

Interviews with 100 voice actors in their struggles, success, and personal stories during the times they did voice work in animation and video games

Shohei works as a doctor in a seaside hospital. One day, a new patient is admitted to the hospital with ovarian cancer. Shohei is surprised to recognize Michiko, his first love from high school. Shohei has been leading a dissolute bachelor life, paying for the company of high school girls and dating an older woman who works in a local bar, but in reality, for the last twenty years, he has not forgotten Michiko. Unfortunately though, Michiko doesn't remember him at all. Shohei becomes more and more persistent in his attempts to get her to recall their past. At first she is annoyed by his overtures, but gradually warms to the doctor. Under Shohei's kind and patient care, Michiko's condition improves and her cancer becomes operable. The operation is a success, but now Shohei himself learns that he has terminal cancer.

Interracial brothers in the music business are opposites at life, love and sobriety. Featuring the music of rapper Friyie and the Supremes.

Witness the history of the legendary band, their friends, and their fans in an hour long program of live archival performances, in-depth interviews and behind the scenes footage.

At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.

A roman consul is sent to Gaul to investigate the theft of gold shipments. He discovers that the gold is being stolen by a tribe of barbarians--whose leader is the governor of Gaul.

A woman drinks tea, washes a window, reads the paper: simple tasks that somehow suggest a kind of quiet mystery within and beyond the image. Sometimes one hears the rhythmic, pulsing symphony of crickets in a Baltimore summer night. Other times jangling toys dissolve into the roar of a jet overhead, or children tremble at the sound of thunder. These disparate sounds dislocate the space temporally and physically from the restrictions of reality. The small home-movie boxes within the larger screen are gestural forms of memory, clues to childhood, mnemonic devices that expand on the sense of immediacy in her “drama.” These miniature image-objects represent snippets of an even earlier media technology: film. In contrast to the real time video image, they feel fleeting, ephemeral, imprecise.

"(Daniel) Petit Lu" is a film which celebrates Petit Beurre by the Nantes company LU. The title of the film is a pun between the actor - Daniel Petit - and the famous Petits Beurre. In "(Daniel) Petit Lu", Daniel Petit devours small butter in a biscuit choreography and to the tunes of advertising songs from the 1950s extolling the taste qualities of Petits Beurre LU.

A crooked crime boss tries to put a crony into office.

A heroin bum spins 3 urban legends to a reporter. Including two brothers who eat people's feces after bashing their heads in, a guy who cuts himself up for internet fame, and an Incel who uses his sperm and a microwave to create a monster.

Treating a trumpet as if it was a portion of fish and chips is not basic culinary research but an audio-activistic intervention that lends a voice to British fishermen’s opinion towards Brexit. And the title ‘audio activist’ is very fitting for the British composer Matthew Herbert. ‘A Symphony of Noise’ provides an insight into Herbert’s thoughts about how we should hear the world and presents amplified sounds of teeth being pulled out, a pig being born, and a swimmer crossing the English Channel. The controversial and political samples become a part of a live performance at the Berlin night club Berghain, which makes the listeners both grate their teeth and dance along. Matthew Herbert wants us to listen to the world afresh, and it is a pretty fantastic experience.

An essay-film on language and theater, on human communication - intellectual in content, but purely poetic in terms of form: image, sound, language, cinema. Stagefright, with the exception of one shot, was all filmed in a small puppet theater space, actors against black.

Filmmaker Mark Cousins, who was brought up in a Northern Irish war zone, travels to Goptapa, a Kurdish-Iraqi village of just seven hundred people on a tributary of the Tigris river, and tries to make a dream film about a place that is normally only portrayed in current affairs programmes. He gives the kids cameras, and they make their own little movies about war, love, a fish that goes to a magical place, and a chicken who debates justice.