The revolutionary struggle of the Georgian proletariat is the central theme of this story. The narrative follows the life and fate of a young revolutionary named Mito. After the Mensheviks disrupt a railway strike, Mito is sentenced to three years in prison, and his father is executed. During his time in prison, Mito shares a cell with an old Bolshevik, which transforms the hot-headed and unstable young man into a conscious Bolshevik. Soon, World War I begins, and Mito, who has just been released from prison, is sent to war.

The Japanese equivalent of penny dreadfuls glorifying Jesse James, A Diary of Chuji’s Travels gives a unique gloss to the tale of Chuji Kunisada, the legendary bakuto (or gambler, the precursors to modern-day yakuza). One of the two remaining segments of Ito’s original four-hour trilogy, it depicts Chuji’s attempt to save the geisha Oshina, a rebellion against the rigid social structure of Edo Japan. With socialist overtones, it’s a passionate artifact of early Japanese film.

After surviving attacks by Zeon's Char Aznable and Garma Zabi, the crew of Federation warship White Base and its mobile suits must battle Zeon forces through Asia, Europe, and the Atlantic Ocean if they are to reach Earth Federation's headquarters alive. During that process, many of its crewmembers must overcome their fears, losses, immaturities, and insecurities in order to persevere.

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

A down-to-earth, struggling taxi driver (Ramzi) discovers, by sheer chance, that his country's constitution grants him a share in the nation's entire public property. He proceeds to collecting power-of-attorney documents from over 50% of the population in order to literally sell out the country so that he could get married.

A poet gets dejected with the materialistic society around him. The only person he gets some sympathy from is a washed out working girl who gives him shelter. Rejected by publishers, he gains fame when his death is reported by a newspaper.

John is an eighteen-year-old Latino male prostitute, living in the poorest area of Hollywood, L.A. He often steals condoms and medicine from the local stores to support himself, due to his inexperience in the hustling world. Peaches is a black trans prostitute, who often helps John financially. Miguel is an older hustler who teaches John how to please men. John often spends his night wandering through the street, looking for older men to buy him for the night. His clients, men who come from all levels of society, share with John their stories and secrets.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

This is a movie built from impericia, from misunderstanding, from surprise and mutual amazement; it is a film that reflects on the idea of community, the relationship of mankind with the environment in which nature, beasts and human beings depend on each other to continue inhabiting a barren land.

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

Carter is a small-town mechanic who observes life from the shadows. When he discovers that a young woman is similarly watching him, he is compelled to confront a world that he has always avoided.

The friendly Nut-Nuts have to contend with the mischievous Mog-Mog population who have seen fit to steal their large supply of the mouth-watering chocolate cream. And as in any self-respecting fairy tale, the good guys prevail over the mischievous Mog-Mogs thanks to the help of a kindly Princess and the Great Sage. With a grand finale that will bring everyone together.

Bartender at Large is a love letter to the art of bartending and the world of craft cocktails. It provides an examination into the modern cocktail renaissance, and allows you to experience it all through the lens of one bartender’s road trip. The trip itself takes viewers behind the scenes on a trek across the western U.S., from a speakeasy in Denver to a dive bar in Tucson to an elegant hotel bar in Santa Fe. In addition, the film highlights the perspectives of those benefiting by the cocktail’s recent boom—local farmers, small distillers, eager customers—but most importantly it showcases the one who puts it all the together; the bartender. This is a film, which tells a story that is every bit as intoxicating as the beverages it describes.

The Great American Bash (2007) was the fourth annual Great American Bash PPV. It was presented by Ziddio and took place on July 22, 2007 from the HP Pavilion in San Jose, California and featured talent from the Raw, SmackDown!, and ECW brands. The main match on the Raw brand was John Cena versus Bobby Lashley for the WWE Championship. The predominant match on the SmackDown! brand was a Triple Threat match for the World Heavyweight Championship between The Great Khali, Batista and Kane. The primary match on the ECW brand was John Morrison versus CM Punk for the ECW Championship. The featured matches on the undercard included Montel Vontavious Porter versus Matt Hardy for the WWE United States Championship and Randy Orton versus Dusty Rhodes in a Texas Bullrope match.

An angel finds herself in an empty black abyss, forced to gamble her life with the purest form of evil.