"Omar" is back from abroad to divide his fortune to his family of nine members equally, but he tells them that his money is cursed, and the curse haunt who get the money wherever he goes, and has already convinced his cousin "Emad" about it after the occurrence of the victims in a strange way between family individuals in a row, trying to uncover the mystery behind the curse

Ahla el-Awqat (The Best of Times) tells the story of a successful middle-aged woman (Salma, played by Hanan Tork) who is left to live with her step father after a not-so-tragic accident that claims the life of her mother. Salma goes on a quest to find out the identity of the sender of mystery letters and packages. One letter includes a picture of her and her two best friends from school (played by the Hend Sabry and Menna Shalaby), whom she has not seen for 14 years. Reunited, the girls embark on the quest of finding the identity of the sender.

Mia, an expert speaker in witchcraft, takes a trip to see a therapist. On the way she meets a group of young people who will begin to die one by one to bring an evil spirit back from death.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

After suffering traumatic assault, Allie finds herself drawn into a mysterious cult of women who operate on her university campus under the alias of ‘Girl’s Club’, who promise to help her take revenge on her assailant.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

MARIAN is an 80 year old resident of Meadow Park Rest Home. During a difficult visit, her daughter PHILLIPA is forced out and accidentally leaves something important behind. Wandering out of the rest home, the outside world proves challenging, as Marian battles her mind in an attempt to return her daughter’s beloved possession.

A stash of old cassette tapes may hold the secrets to an alcoholic's delusions after the death of his wife.

Oscar is about to perform Hamlet on stage when he is suddenly struck by a strange illness: he speaks in a strange way.

Bare, also known as Bare: A Pop Opera, is a coming-of-age rock musical with music by Damon Intrabartolo, lyrics by Jon Hartmere, and a book by Hartmere and Intrabartolo. The story focuses on a group of high school students and their struggles at their private Catholic boarding school.

The first film made by Jenny Gilbertson (nee Brown), with a second hand 16mm cine camera on which she taught herself the rudiments of photography and editing. She stayed with crofter friends in Shetland while shooting scenes through the changing seasons during 1930-1931. The intimacy she established with her hosts, who are the subjects of the film, clearly comes through.

A Dutch photographer (played by David Verbeek himself – also a talented photographer in real life) takes a picture of a girl in a parking lot in nighttime Taipei as she plays with her kite. The photo transports us into her life. She is eight years old and is about to lose her best friend, a boy from a wealthy family who is moving to America. Back in the Netherlands, the photographer is confronted with his own constant loneliness. The photo of the girl evokes memories of his own childhood, when he still felt at home somewhere.

When a crown rolled in front of his hooves, Louis, a sheep among other sheep, grabs it, puts it on and becomes king. From then on, he plays through everything that kings do to banish boredom and to demonstrate power. With a lot of humour, historical borrowings and a profound sense, the detailed stop-motion animation drives abuse of power to extremes in order to expose it.

Armed with venomous spines, invisible to its prey, a pack hunter who terrorizes other fishes - watch the stunning adventures of lionfish. Get to know the fish's prowess to dominate the oceans, to the extent that its invasion endangers local marine life!