YOU ARE HERE is an allegory on the journey of life, especially at times when one feels victimized or shortchanged. The film looks at the way we so casually live in a class system built on blatant economic and social disparities, the way we so want to be fooled by our belief systems. By exploring a counter-point for every point, the film subtly questions not only our material value system but also our emotional value system. The plot revolves around a road trip gone wrong. The idea was to keep the seriousness of the situation but present it in a humorous manner with characters, plots, and nuances that are realistic but at the same quirky and humorous, leaving the audience with a feel-good buzz.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

A crime movie directed by Rudolf Jugert.

Documentary about F.W. Murnau's "Herr Tartüff (1925)".

A spokesman rises to the top of the Greater Boston area spokesperson game.

Fidel, an Asturian miner, after the closure of the mine where he works, decides to walk to Madrid with his family, to ask the king why the Constitution is not met, specifically the article that points out that all the Spanish citizens have the right to have a decent work. Will the king receive him?

Chaos ensues as a gay actor and his female costar fake being a couple as they try to save the press junket for their new television show.


Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.

"In Rome, the author says, hidden among the little streets of the Pigneto and Tor Pignattara districts, an underground scene made up of strong women has developed. A scene full of passionate women who dedicate their lives to experimentation and free art expression(…) When I discovered their world I immediately felt involved, and I decided to make this documentary." The result is a generous choral documentary about the female music/performance scene in the eastern area of Rome. A documentary about love for music and art, about freedom to be what we really want to be, trying to discover our true identity, beyond the stereotypical roles imposed by contemporary society. A documentary about choosing to follow the talents and desires that are essential for life, our life's blood (linfa), and that give meaning to our existence. It is a story of female artistic activism that becomes political demonstrating that it is possible to oppose the ordinary and banal with alternative creative worlds.

Mexican feature film

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

A story of two contrasting individuals — a wealthy youngster who loves to live life partying and wooing women, without a care in the world for anything else, and a pregnant woman who loses her husband and is struggling in life. The two of them get stuck in a lift for several hours, turning both their lives upside down.

Just as he is about to go on stage, Max receives a phone call from Philippe who announces his presence in the room. As soon as he hangs up, the actor collapses. Max will then have to draw on his game to face this man. But will he dare to confront him at the end of the show?

The stooges don't know it, but they are all engaged to the same girl, a gold-digger who plans to get an engagement ring from each of them and then abandon them. When all three show up at her house at the same time, a wild fight ensues, as each stooge accuses the others of making time with "his" girl. The gold-digger gets it in the end (literally) with tacks shot from a repeating rifle.

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.