There are around fifty white moose in the Värmland forests. These are unique in the entire world. We get to follow nature filmmaker Ulf Jonasson through the seasons in his encounters with Ferdinand, a majestic white moose bull!

A distraught man in coat and tie grips the guardrail at a remote cliff overlooking the Pacific. At a boys' high school in toney Rancho Palos Verdes, Mr. Radford teaches classics. His best student is the earnest Andrew. Late one evening, Andrew stops by Mr. Radford's office; Andrew's been the only student to do well on a recent exam. They chat, and something happens that brings a sleepless night to Mr. Radford. The next day, Andrew misses Mr. Radford's class, and after, Mr. Radford is aghast to see Andrew and Andrew's father waiting outside the principal's office. What's the teacher's fear, and what will he do about it?

A guerilla leader falls in love with a mysterious woman in World War II Lisbon.

Charles Lewis founded TapouT in 1997, prompting a whirlwind life that intersected the birth of a sport. Selling TapouT apparel out of the trunk of his car during road trips throughout California, a hot bed of mixed martial arts in the late 1990s, Lewis took on the superhero persona of “Mask" as he donned war paint on his face and wore outlandish comic book outfits. Mask's vision quickly came to represent hardcore aspects of MMA fandom at a time when the sport floundered under political pressure. The history of MMA cannot be told without mentioning Charles “Mask” Lewis, or the era in which he emerged. On March 11, 2009, Lewis was killed by a drunk driver in Newport Beach, Calif. To honor his contributions, the sport's dominant promoter, the Ultimate Fighting Championship (UFC), posthumously inducted "Mask" as the first and only non-fighter into the UFC Hall of Fame.

Biography of the legendary filmmaker directed by his son.

Philippe Seigner starts his career in business consulting at the posh Paris seat of McGregor. His first serious task is delicate: An audit at a factory, which is about to be taken over. As he soon realizes, this will mean sacking about 80 employees. However, his girl friend reproaches him collaborating with ruthless capitalism, as if any of the downsizing could be mitigated by him bowing out.

A seemingly mystical murder takes Captain Sophie Maliquot back to the Mont-Saint-Michel region where she spent part of her childhood and where her father, who died years earlier, is buried.

Aami is a biopic based on the life of the renowned poet and author Kamala Das, who was fondly referred by her pet name Aami. The film mainly deals with two relationships the writer had - with the husband and after his demise, with a suitor from a different religion.

A woman wants to divorce her husband, but is forced to live with him for six months first. Will she long to be with the one she loves, or will she learn to love the one she's with?

A collection of short shorts, a dozen or so short episodes and gags in 32 minutes. From the hilarious to the thought-provoking, all of the short films have an urban sense of humour, especially the second half, "My right hand, my left foot and the back of my head at the age of 23", which is full of wit and humour, firing like a machine gun. In the latter half of the film, the witty monologue and the rhythmical development of the images are beautifully synchronized, and the light but flexible "23-year-old me" speaks eloquently of his existence. Many of the film's gags are made up of deformed gags about the funny things that happen in the daily life of the author, a student, and the uniqueness of the characters makes this a film that will be loved by many people.

When three estranged sisters reunite to care for their dying mother, old conflicts and secrets return to the surface.

The lives of a newly married couple and their mutual friend unravel after the wife becomes the victim of a gang rape during a honeymoon.

Veera Kesari is a 1963 Indian Kannada-language swashbuckler film directed by B. Vittalacharya and produced by Sundarlal Nahatha and Doondi. The film stars Rajkumar, T. N. Balakrishna, Udaykumar and R. Nagendra Rao. The film has musical score by Ghantasala. S. Siddalingaiah was the assistant director of this movie. B. Vittalacharya shot the movie simultaneously in Telugu as Bandipotu, with N. T. Rama Rao.