Jim is preparing for his first professional fight but begins to rethink his life's trajectory and his sexuality after tangling with Whetu, a gay Maori boy who spends his days in an old shack down by the beach.

A man named Kengo Kosaka is germaphobe, Due to his disorder, he is also a lonely young man. Meanwhile, high school student Hijiri Sanagi has Ommatophobia. Both Kengo Kosaka and Hijiri Sanagi do not expect to find love with another person.

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

A young Tokyo salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

This film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on.

Light, color, and correlated sound. A program for the human nervous system.

A Catholic New Yorker falls in love with a girl and wants to marry her, but he struggles to accept her past and what it means for their future.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Franck just had the most crazy and wonderful idea for a company that would finally get him and his friends proper jobs. As Uber delivers food, Amazon daily items, Song Express will deliver songs. To your friends, or your loved one, or yourself, anywhere you want. It is brilliant, it is foolish, it could work… For Franck, Jean-Claude, Sophie and José, Song Express becomes something more than just a professional challenge: it is the dream of a lifetime.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Over the week leading up to Christmas in the town of Bayside, Charlotte tries to capture her own unique style in the local art scene while also helping her mother, run the family restaurant. Disheartened and struggling to find time for her art, Charlotte throws out her latest painting, only to discover that it has been anonymously submitted to the Christmas art festival. It turns out that Wyatt, a visiting artist, stumbled upon her discarded work and is now using the festival’s exposure to find its mysterious creator.

Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

Hana spends twenty years suppressing a maleficent curse that was placed upon her bloodline, only to have a family member knowingly release it forcing her to kill or to be killed.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Julie finally gets an interview for a job where she can raise her children better only to run into a national transit strike.

Targeted by a dirty cop after witnessing a murder, bank clerk Mario flees to Puerto Escondido, Mexico, where a couple of oddball Italian expats drags him into a journey of self-discovery and bad decisions.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

A wealthy pharmaceutical business owner, Edik is used to managing and controlling. But fate brings him an unexpected surprise. The unemployed artist Petrovich, who decided to say goodbye to life, falls from the roof of a skyscraper onto a brand new expensive businessman’s car. Is the miserable life of a loser worth that kind of money? Moreover, he will never be able to return them. But debt must be received at all costs, for Edik it is a matter of principle, forgiving others is not in his rules. Edik decides that Petrovich will work for him for free, he has every right to do so, because he is a real master of life. Or does he only think so, and everything can change at any second and turn over exactly the opposite?

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.