inspired by the short story "Don't You Blame Anyone" by Julio Cortazar.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

A turbulent day in a life, painted by air.

A boy and a girl coming from different worlds fall in love. When summer is over, they will face the shackles of their normal routine and discover what binds them and what breaks them apart.

Wong Hei is Dee, a nice guy who was pushed around as a kid. Back then he had a compatriot in May, who protected him by threatening other kids with her predilection for cutting up animals. Years later, Dee tries to become a hair stylist, but he just can't get it right. He trembles, messes up, and loses jobs. Furthermore, his mean co-workers pick on him. One day, when he gets framed for messing up, May shows up again, except now she looks like Hilary Tsui. The two find that their special bond remains, and then they go and kill people. Dee kills and dismembers the bodies, but not before coiffing them up with his latest Dennis Rodman 'do. One day, a retarded girl (Annie Man) witnesses Dee disposing of a body. He's instructed by May to off the girl, but he ends up taking a liking to her. It seems that he sympathizes with her vulnerability. May doesn't feel the same and you can see this conflict coming a mile away. Michael Wong and Kent Cheng are the cops who try to crack the case.

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

From 1972 to 1974, the Watergate scandal was frequently a part of “The Dick Cavett Show.” In fact, Cavett was at the forefront of national TV coverage, interviewing nearly every major Watergate figure as the crisis unfolded. With exclusive access to the archive of the show, documenting the scandal in the words of the people who lived it: from the botched burglary at the Democratic National Headquarters; to the must-see TV of the daily Congressional Watergate hearings; to the ongoing behind-the-scenes battle between the White House and “The Dick Cavett Show,” culminating with the resignation of President Nixon on August 9, 1974. Offering a unique opportunity to mark the 40th anniversary of a defining moment in American history.

Skinside Out features paint on skin, carried out in an expressionist mode on both of the filmmakers' bodies. The emphasis is on the pleasure of looking -- at the edge of repulsion -- and the implications of making public an essentially private gesture. The film posits painting as a gendered, bodily act, whose location shifts continually within a context that's always changing. Images filmed in the studio are juxtaposed with footage of a construction barge along the Hudson. By examining both in relation to surface, the work paradoxically looks for what lies within, while questioning who and where we take ourselves to be.

Vaarala, a reserved romantic photographer, has an odd artistic vision of loneliness: he takes serial photos of an empty park bench in remote spaces of nature. When he meets and falls in love with the spirited, unruly Ansa, his ‘bench’ is suddenly filled. But in order to be with her he has to not only overcome his own frailties, but also the impending danger of Ansa’s volatile ex-con ex, and then Ansa herself, a woman prone to impulsiveness and impetuousness.

Progressive schoolteachers Landi and Anna have a profound influence on two of their young students, Mirella and Franco. The two kids are enamored with one another and decide to experiment with some of the knowledge they've gleaned in the classroom.