In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.

The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.

In this amusing antiwar comedy, seven inept and reluctant soldiers land on a desert island to carry on with the fighting. Just after their parachutes have collapsed behind them on the beach, helicopters approach and land nearby. Out pops a bevy of beautiful women sent to entertain the troops, which they do, and then they leave. From that point onward, there are a series of misadventures

Dick Romans is a washed up TV host whose wife walks out on him the day before their ten year anniversary celebration. Alone with his thoughts, his dog, and a ton of booze, Dick decides to go through with the week-long party... by himself. The seven event-filled days become Dick's reluctant vision quest, filled with odd characters, awkward romance, and some long-overdue self examination.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

Sailor is brought by the police as a recruit to the navy.

Polidor drags down the street a bulky sofa on which every couple sitting ends up kissing.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Don Juan Tenorio makes a bet with a friend as to which of them will commit more outrages in a year. He wins, killing twirty-two men and seducing seventy-two women. In the end, however, he is saved from damnation through a return to true belief and the love of a saintly woman, Doña Inés.

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

6 weeks before her 18th birthday Katharina inherits her mothers farm with all it's problems. At the funeral she meets her two uncles, which she never met before, but turn out to be very helpful.

When director Heiner Mühlenbrock showed up with his cameras to document the tense April 1983 recording sessions for the final Birthday Party EP, Mutiny!, the group was well beyond the verge of dissolution and barely on speaking terms. Mutiny! was cut at Hansa Ton studios in Berlin.

The third installment in the 28 Days Later sequel trilogy. Details TBA.

Maggie Cook has spent her teenage life alone in her room, but with the world set to end in 24 hours, her classmate Hazel Norcross finally brings her out of her shell.