A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.

The year is 2030. Six months passed since the Laughing Man Incident was solved. About 3 million refugees are living in Japan, invited to fill the labor shortage. However, the emergent presence of the invited-refugees intensified their confrontation with the "Individualists", who called for national isolation, which then led to the increased incidences of terrorist attacks. Under these circumstances, a terrorist group called the Individual Eleven carries out a suicide attack. But there was a greater scheme behind their action. When Section 9 learns this, they attempt to nail down the mastermind of the incident. Meanwhile, Kuze, a surviving member of the Individual Eleven, becomes a charismatic leader of the invited-refugees and intensifies the confrontation against the government. And Motoko starts feeling a strange sense of fate connecting her with Kuze...

A former special forces operative struggling to contain the destructive impulses of his past goes on a rampage against a squad of ruthless assassins.

Nat Turner, a former slave in America, leads a liberation movement in 1831 to free African-Americans in Virginia that results in a violent retaliation from whites.

Adam is a broken man in the emotional transition as his family crumbles. Through the heartbreak and pain a chance meeting gives hope once more.

Anne Shirley, now a schoolteacher, has begun writing stories and collecting rejection slips. She acts as Diana's maid of honor, develops a relationship with Gilbert Blythe, and finds herself at Kingsport Ladies' College. But while Anne enjoys the battles and the friends she makes, she finds herself returning to Avonlea.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Journalist Fred Flarsky reunites with his childhood crush, Charlotte Field, now one of the most influential women in the world. As she prepares to make a run for the Presidency, Charlotte hires Fred as her speechwriter — much to the dismay of her trusted advisers.

All the people in this countryside area, can count on Jean-Pierre, the doctor who auscultates them, heals and reassures them day and night, 7 days a week. Now Jean-Pierre is sick, so he sees Natalie, a young doctor, coming from the hospital to assist him. But will she adapt to this new life and be able to replace the man that believed to be irreplaceable?

September, 1945. Sebastian impatiently waits for the return of his friend Angelina, whom he has not seen for two years. When the plane carrying the young woman to her small village in the Alps is reported to have crashed in the mountains, Sebastian is convinced that Angelina is still alive. Along with his faithful dog Belle, Sebastian embarks on the most dangerous adventure of his life.

Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.

A giant mutated alligator runs riot in a small town after the sewer system washes it into a lake.

Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

The film tells the story of a near future in which the earth is irreversibly sandy, as human emissions and rubbish exceed its carrying capacity. As plants and animals mutate to create the Earth's new masters, the "sand worms", which are slaughtering the planet and driving humans to the brink of extinction, the survivors are left to their own devices to find the only remaining refuge in the deep desert, the "Oasis". An exiled team of wealthy businessmen, scientists, security chiefs, mechanic families and gangsters set out on an adventure to find the Oasis in a special armoured vehicle, but the bloodthirsty insects are hot on their heels.

Prologue to the movie, showing the Whiskey Peak arc. Released as a new cut for the movie's TV showing on "Premium Saturday".

David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he's "doing okay.”