Major Chandrakanth (Telugu: మేజర్ చంద్రకాంత్) is a 1993 Telugu film. N.T. Rama Rao and Mohan Babu played the lead roles. It Is Produced by Mohan Babu under His Sri Lakshmi Prasanna Pictures Banner. Presented by Mohan Babu's younger son Manoj Kumar and directed by veteran K. Raghavendra Rao, the film had music by M. M. Keeravani, story-dialogues by Paruchuri brothers, lyrics by Jaladi-Gurucharan-Rasaraju, cinematography by Ajay Vincent and art by Bhaskara Raju with Sharada, Nagma, Ramya Krishna and Brahmanandam in other important roles. The film was released on 23 April 1993 Amid. The film celebrated Silver jubilee. This film is perhaps a last glimpse in Sri N.T. Rama Rao's prolonged film career.

A young girl witnesses a violent and ultimately fatal act between her mother and another man and it emotionally scars her for years to come. As a young woman, she takes a vacation with a more worldly girlfriend to Sardinia, and in doing so, attracts the attention of a young man in the village. Despite her interest in the man her haunted past prevents her from developing a normal relationship with him.

Madhuri was thrilled when her brother Jimmy accepted her invitation for a holiday in the USA. Jimmy boarded a Jet Airways flight and landed at Dulles International Airport, where Madhuri greeted him with open arms. Joining them were her friends Katrina and Priyanka, ready to make the trip unforgettable. Their adventure began at the breathtaking Niagara Falls, where the misty spray left them laughing and drenched. In New York, they marveled at the city lights and strolled across the iconic Brooklyn Bridge. Washington, D.C., offered monuments and history, while Las Vegas dazzled them with its neon nightlife. The journey ended with a serene hike through the stunning Valley of Fire State Park. Every moment was filled with laughter, pictures, and stories that turned into lifelong memories. As they sat under the stars on their final evening, Jimmy smiled and said, "Life is a journey, and this one has been incredible. But the journey never stops.

Synchronicity tour by the Police, recorded at the Omni in Atlanta, GA, Nov. 1983.

The Watchers series has reached new, extraordinary heights, presenting one thrilling segment after another. LA Marzulli and Richard Shaw's ongoing adventures continue with the story of black-eyed children who appear at hotels and car windows, even on boats at sea! They appear with a singular purpose—they want to be invited in! Demons? Alien hybrids? Urban legends? Speaking of legends, our host interviews the leading expert on The Spear of Destiny, the weapon that pierced the side of Christ and supposedly gives its owner the power to rule the world. What significance does the word OBAMA have in the Bible codes, referencing the Gog and Magog war? And what secrets does the North Pole hold? Were Admiral Byrd and Adolf Hitler's suspicions right? Is the Hollow Earth theory credible? There's even more—the latest news from Israel—an interview with David Brennan, author of the Israel Omen—Russian UFOs and new, laboratory revelations from alien implant physician, Dr. Leir.

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.

The movie will be based on the Plaid Hat tabletop game, created by Jerry Hawthorne, which is a role-playing adventure following players loyal to the king who are imprisoned in a seaside castle and turned into mice by the evil Vanestra. They must fight their way out of the castle as they face dangerous foes including rats, cockroaches, spiders and the castle’s house cat, Brodie.

"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.

Goofy has insomnia, and is desperate for some restful sleep.

Here the codes are both amplified and distanced by an expressionist plastic that for the first time perhaps in Expressionism, takes humor into account. Some very close-ups of flowers, insects, are reminiscent of the prose of a Caillois that I did not know until this film equivalent cinema. There is a double movement in this film. At the same time, a sort of restraint of the plans and a bulimia, a frenzy to film, perhaps this is what mainly troubles us and takes us into a way of seeing that was unknown to us.

In a driving school, three women of different ages meet for the so-called idiot test. There is a close friendship between the women. Annette, Katja and Isabel unite dislike for the macho driving instructor Marius, but also enthusiasm for Erik, who also has to undergo retraining. The three ladies have to recognize the problems in their lives and get a grip on them.

The life and work of Puerto Rican painter and print-maker Myrna Báez are explored in this documentary.

A pilot complicates his life with his wife and daughter when he starts an affair with another woman.

A famous fashion photographer is trapped in a remote South American country with a beautiful model and together with some unscrupulous characters, become involved in the search for a lost diamond mine.

Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.