Stranded behind enemy lines when the Japanese attack the Philippines in late 1941, Lt. Bailey must lead a group of soldiers and their families to safety and the streets of Manila. During the perilous trek, Alex befriends a virginal young soldier whose only desire is to have sex once before he dies.

After eight months of hyper-sleep, when Christopher 'Chris' McNiel (Jason London) and Theta Kaplan (Missy Crider) of a Mars cargo transport ship the Solar System Shipping Vessel No.17 (Triple S-17) awaken, they find out something has gone terribly wrong. They've woken up from hyper-sleep almost ten months past their scheduled time, find the ship's internals badly damaged, off course and almost no fuel. What's more, it's discovered the first shift killed each other. As the plot unfolds, something truly evil is discovered on board - an alien biological life form which can psychologically manipulate humans.

Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

For Kevin, a shy teenager, being bullied is part of everyday life. But one day an older guy, Benny, comes to his aid. Impressed by Benny's self-as-sured appearance, Kevin seeks his company from then on, and increasingly idolizes him. But Benny's intention is not to protect the younger boy, quite the contrary.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

Convinced that his subtenant is a spy and an enemy of the state, Ilija Čvorović falls into deep paranoia which leads to absurd and destructive chain of events.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

After an unthinkable tragedy, a man's reality is shattered by a seemingly haunted flaslight.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

We must protect this house.