Back to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.

When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.

A bank clerk is drawn into the risky world of a gorgeous gambling addict.

Movie star Charlie Castle draws the ire of Hollywood producer Stanley Hoff when he refuses to sign a new seven-year contract. Castle is sick of the low quality of the studio's films and wants to start a new life. While his estranged wife supports him in the decision, Castle's talent agent urges him to reconsider. When Castle continues to be uncooperative, Hoff resorts to blackmail in order to get his way.

A group of young boys inadvertently free the creature from captivity. Going on a rampage, the Boogeyman, whose origin dates back to the time of Genesis, targets an innocent child – whose father is the town Sheriff.

The film is divided into four episodes that blends sex and comedy.

Two POWs learn of a treasure of gold hidden in a cemetery, and escape from their POW camp to look for it.

A young woman dutifully marries an older millionaire and then falls in love with a handsome nobleman-- who'd previously saved her life-- on her unhappy honeymoon.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

A young widow flees from Rome during WWII and takes her lonely twelve-year-old-daughter to her rural hometown but the horrors of war soon catch up with them.

On the outskirts of Brooklyn, Frankie, an aimless teenager, suffocates under the oppressive glare cast by his family and a toxic group of delinquent friends. Struggling with his own identity, Frankie begins to scour hookup sites for older men.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.

As a filmmaker and his girlfriend return home from his movie premiere, smoldering tensions and painful revelations push them toward a romantic reckoning.

Louis, a terminally ill writer, returns home after a long absence to tell his family that he is dying.

In 1980s Naples, Italy, an awkward Italian teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.

After getting a flat tire, two sweethearts discover the eerie mansion of a flamboyant scientist and houseful of wild characters. Through elaborate dance and rock songs, the mad scientist unveils his latest creation: a perfect, muscular man.

In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.

Two gangsters seek revenge on the state jail worker who during their stay at a youth prison sexually abused them. A sensational court hearing takes place to charge him for the crimes.

A school teacher discusses types of government with his class. His students find it too boring to repeatedly go over national socialism and believe that dictatorship cannot be established in modern Germany. He starts an experiment to show how easily the masses can become manipulated.