Fueled by the hope of escaping her dreary suburban life, a misunderstood teen entertains the increasingly sinister advances of an Internet friend in a riff on the 1966 Joyce Carol Oates story “Where Are You Going, Where Have You Been?”

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A story about several hours, which significantly change the adolescent boy's life. In a small town in Latvia, there is an old Ferris wheel near a bar, in which the protagonist meets a female truck driver, and soon the wheel of fate of the adolescent boy is set in motion.

Jacob’s dream is to be a rap artist, so he works on a song that will give him the big breakthrough. To his big frustration, his dreams are tested every time his roomie Adam gets a visit from his girlfriend Frederikke. And through a journey of unforeseen events Jacob meets additional challenges that test his working discipline.

Exploring the relationship between man and technology, this day-in-the-life story concentrates on a computer programmer, inundated by technology, living a secluded lifestyle in Laurel Canyon with his two dogs. He struggles to maintain any real connection with friends, colleague or family, outside of communicating with them over the phone or computer.

Shinta repeatedly calls her boyfriend, but she gets no answer. As if he just disappears in a thin air. Meanwhile in her school, Shinta becomes a gossip among her school friends. They talk about her video that is widely spread everywhere, including to her friends and neighbours. As if it’s not enough, Shinta also finds her self pregnant. And even more shocking, her best friend Ayun confirms that her so-called-boyfriend is a married man with children. It seems that Shinta’s world is crumbling down.

Super (Kannada: ಸೂಪರ್) (originally known only by Vitarka Mudrā hand symbol) is a 2010 Indian multilingual film written and directed by Upendra. This utopian film garnered extraordinary reception from critics and the general public for its revolutionary concept of a contrasting futuristic India set in the year 2030, and the contemporary image of India. With the title of the film depicted only by a symbol, it features Upendra and Nayantara in lead roles and is produced by Rockline Venkatesh, while V. Harikrishna has scored the music. Raking in more than Rs 100 million through satellite television and audio rights even before release, it was declared a superhit in Kannada where it grossed a record Rs 25 million in first three days of the opening weekend. The film grossed over 50 crore (US$9.05 million) and has been declared one of the biggest blockbusters of Kannada cinema.

A man is imprisoned for a crime he didn't commit. When his wife is murdered and his son kidnapped and taken to Mexico, he devises an elaborate and dangerous plan to rescue his son and avenge the murder.

William McKay’s successful New York executive career is in ruins after a shocking betrayal. Called by his estranged father, William travels to Belize for a father & son fishing tournament that reopens old wounds and sparks new understanding. Decades later, William recalls that pivotal trip as he tries to connect with his angry, distant grandson.

In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Farid is 32. A former Red Skin bullyboy and hoodlum, he is a survivor of drug "trips" in the 70’s and 80’s. It’s in drugs and rebellion that he lived his fine youth as a second generation Algerian in the Paris suburbs.

An ordinary taxi ride takes Jun, a young executive, into the unusual story of Ben, a 35 year-old taxi driver in Manila on how he became a lanzones farmer in Camiguin island, Mindanao.

Two friends fighting dirty

Time to relax with your beloved.

Agnes leaves school and moves with a friend to a housing project in Bagnolet. Engaged as a clerk, she becomes associate staff after the dismissal of a colleague.