It's a freezing winter morning and Christmas is just around the corner. Pororo the penguin and his beloved friends return from the woods where they have cut a Christmas tree, ready to celebrate the festivity. They’ve just finished decorating the tree, when they receive a shocking message directly from Santa Claus! Santa caught a bad cold, and he can’t bring his special Xmas glaze to the Candy Castle, where under the oversight of King Cream Puff the cookies for children all over the world are made. A Christmas without cookies will be quite sad! Pororo and his friends decide to protect the Christmas spirit, and they leave for Santa Claus village to pick up the Christmas glaze and carry it to the Candy Castle. But along the way, they met their old acquaintance: the wicked Witch of Winter who aims to steal the precious glaze and use it for her nasty schemes. Will our heroes be able to carry out their important missions and save Christmas?

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

A terrible series of events occur when a public employee unexpectedly enters a police station.

A man falls in love with a young woman, only to discover that she's the daughter of an ex-girlfriend who jilted him almost 20 years before.

In search of a powerful hallucinogenic, five friends embark on a dangerous journey deep into the Amazon. But a bad trip isn't the only threat as they discover when they stumble across the hidden camp of the crazed Dr. Moreau and his murderous animal-human hybrid creations.

Using multiple camera angles and minimal repetitions to modulate her friend David Wheeler's personal narrative of his battle with leukemia, Holt presents his physical illness as a site for metaphysical and aesthetic reflection. Holt's editing procedure both frees Wheeler's narrative and closes in on it, effectively projecting the personal into the conceptual.

Thunder Mountain somewhere in the American wilderness, has a reputation that has scared away travellers, both white and Indian, for hundreds of years. Undaunted by the ghost stories surrounding the mountain, a father decides it's just the place for him and his son to go camping and do a little bonding. Strange voices and stranger footprints around their campground try to warn the pair away, but Dad is unconcerned and blithely pushes on. Eventually, however, the two come face to face with the force standing guard over this forbidden mountain.

Ismail wants to grab his wife's Turkish money, claiming that he has the children of a former wife who died, and that he can not spend on them, but Ismail does not realize that this little lie has left him in an endless series of lies, Of each lie with a greater lie, and every time the wife deals with him in good faith.

"Rescue Dawn: The Making of a True Story" is a documentary film that provides a behind-the-scenes look at the production of the movie "Rescue Dawn" (2006). Directed by Werner Herzog, the documentary delves into the process of bringing the captivating true story of Dieter Dengler to the big screen. This documentary film provides a fascinating insight into the filmmaking process, shedding light on the director's vision, the authenticity of the settings, the grueling conditions endured by the actors during filming, and the passion that drove everyone involved to create a powerful and authentic portrayal of a remarkable real-life hero.

When a group of friends mock the wrong person during their role-playing game, they soon find themselves hunted by a vengeful knight straight out of their fantasy world. As the line between reality and fiction blurs, they must uncover the truth before they become the next victims of his wrath.

The musical compilation of five performers is complemented by haptic images of sculptural objects, where the author emphasizes the materiality of the fabric. In the wake of the current ecological crisis, the film outlines a surreal world in which the imaginations of new organisms materialize.

On June 29, 2016, a strange cloud formed in the sky of Cartagena de Indias, Colombia; drawing attention and creating superstition in its inhabitants. Cloud formation alters the behavior of some people, causing them hostile and murderous attitudes toward their peers. A group consisting of four young people who were not affected by the phenomenon, will seek ways to cope with this situation and return peace and tranquility to the city.

The lives of eight people, of different ethnicities, creeds, professions and social groups, living in the cities of Rio de Janeiro, São Gonçalo and Nova Iguaçu during the first 9 months of the pandemic.