Where I Should Go explores one of the most pressing issues in contemporary China, the interaction between the rural and the urban, telling the intertwined stories of two families who move from the countryside to the city in order to try and get a proper education for their children.

Returning from eight years abroad at work and in prison, Jeong-il struggles to reconnect with his wife and their young daughter, Ye-sol, whom he barely knows.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

He was at the bay when his world split in half.

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Kidnapped by a mysterious figure, three women find themselves trapped in an abandoned hospital. Held against their will for months, the prisoners are faced with life-transforming decisions and must struggle for their lives.

Experience the breathtaking panic and agonizing fear when a beautiful, desperate young woman escapes from her abusive husband only to become the victim of a ruthless carjacking. This film is a suspenseful wild-ride through the savage back roads of California.

An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.

I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.

Gesturing hands emerge from the darkness, readying us for the cinematic experience.

Two 20th century youngsters, Andy and Karen, are accidentally transported back to the year 100,000,000 B.C. by their father's time machine. While dodging dinosaurs, the kids find a loyal friend in the form of Bunjee, a lovable, purple-haired creature who resembles an elephant with suction cups for feet. After escaping danger, Andy and Karen bring Bunjee with them when they return to the present. Alas, Bunjee is hardly ready for modern civilization, and vice versa.

Tomás is an old man who suffers from Alzheimer's disease dependent on his family who has a complicated relationship with him due to his condition, which causes a conflict of interest with Tomás' daughter wanting him to live, her granddaughter being completely indifferent, and his son-in-law. wanting him to die.

Postman Brabec is a welcome guest of the revue theatre for his sense of humor, and he brings his director Holt letters from female admirers every day. Holt's fans include Brabec's sister Anny. The girl would like to join the theatre, but for the time being works as a maid for the actress Velden. A new revue is being rehearsed, the name of the author is secret. Veldenová will return the role just before the premiere because she doesn't like it. The quick-witted Brabec introduces the director to his sister, who knows all the parts by heart.

Mikhail, an antique shop keeper, stumbles upon a rare Chippendale's drawer in a Tatar by-place. Heaps of snow, bargaining with the rugged locals - nothing but his own greed is going to stop Misha from getting the precious drawer.

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!