The film tells the story of Mosley, a "thoriphant" who rebels against his life of servitude and embarks on a treacherous journey to find the fabled city of Uprights.

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

He's back! One of Britain's best loved comedians, the multi award-winning British-Iranian, Omid Djalili takes on the world in a brand new sensational stand up show. Undertaking a huge sell-out tour across the UK, 'Live in London' captures Omid at his very best, recorded live at the celebrated home of comedy - the Hammersmith Apollo.

A man is investigating an assassin, who turns out to be his own girlfriend.

Zanskar is a remote kingdom in the northwest Indian Himalaya, where local people are snow-bound for six months of the year. About 10,000 Zanskaris live in the isolated valley. In winter, mountain passes are blocked, the summer Jeep road closes and buses stop. Two decades ago, three friends founded a ski school - to enable winter travel in the valley, improve quality of life, and to encourage young people to stay in Zanskar by helping establish a culture of mountain sports. The film tells the story of this friendship, the ski school and the development of skiing in the area. Along the way a bigger question is raised. Most recently, the federal government announced a major road building project that will provide year round access to Zanskar. How can Zanskar's wilderness be preserved? It is only a matter of time before the winter road is completed, and the "Big India" rushes in.

Joe Dexter, a famous gunfighter known as Nevada Joe, Golden Hill reaches a mining town. There he will find that the transport of gold from the mines is monopolized by John Randolph, who is opposed only Julia Brooks, owner of a mining concession, with which Dexter intimará and support in its confrontation with Randolph.

For the first time in history you'll be able to see the last unfinished film from one of the greatest car-chase filmmaker's (Halicki) that ever lived, who loved to chase, wreck and destroy anything on four wheels. He bought over 400 cars to devour. It's one of the most amazing car crash chases ever filmed! Halicki reprises his role as the legendary car booster... on the run from some killers and the police he boost a Semi Tractor-Trailer... the chase destroys half the city... the other half is destroyed by the 'Slicer' (a custom built wedge car). The car is unstoppable - it can flip any truck or car in it's speeding path! You'll see why they nick named Halicki "The Car-Crash-King." You won't believe your eyes - you'll watch it again and again... the action never stops!

As a veteran of the Latin-American guerilla wars, Pierre Goldman became a mythical figure of the French protest movement of the '60s.

The "Globe of Death" is a sensational, very dangerous circus act, which was popularized in the United States by Douglas Mac Valley. Mac Valley ended his days in Samoa, and he passed the baton to Bruno Loyale who has been presenting the "Globe of Death" in his Magic Circus of Samoa for thirty years. Within the Magic Circus of Samoa, three motorcycles compete in the metal globe. In 2019, for the first time a woman is at the helm: Yudy Serna Rodriguez is Colombian. In his family, all his brothers fly around the globe. She is the only girl. Her husband Sébastien Moreno Delgado is her partner in the globe. The third man is Brazilian. Together Yudy and Sébastien open and close the Magic Circus show, first with an aerial acrobatics number, then in the globe. They also rehearse a spectacular new number.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

A young couple and their daughter move into a rambling old house. Soon, an increasingly alarming string of events and supernatural disturbances connects the house, and them, with a series of unsolved murders committed three years earlier. They are the only living witnesses, but for how long?

He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses. Thus, delving into other people's lives, both begin to stop seeing each other as strangers and have fun, momentarily forgetting their own problems for a while. Without romantic tensions, the two simply enjoy sharing the day and, while Ángela cannot stop remembering Pedro, her dead husband, he only listens. Without advice or sermons, their two visions come together to make, at least that day, a different experience.

Caterina was born in South America but lives in New York. Her willingness to make close emotional connections to others is as much of a burden as it is a gift.

During a family reunion in 2000, guests decide to read out laud their "Where I See Myself in 10 Years" wish lists which they wrote down during their 1990 family reunion.

After completing his prison sentence for killing a rival gang leader in self-defence, Benny Horowitz decides to go straight.

Four kids living in the streets of Buenos Aires back in 1999. How would their futures be? Shot for over ten years, this film explores three different moments in the lives of these kids, as they grow up living life like a game. As from these daily and intimate scenes, a collage is built assembling the meaning of marginality, the search for social inclusion and the look of the person behind the camera.