An American Indian child, maltreated by her mother and other tribespeople, accompanies her family to a nearby town to buy supplies. There, local white settlers — a couple and their young daughter — befriend the child and give her a doll, her first and only toy. Meanwhile, another tribesman is wantonly killed by a settler. Enraged, the Indians plan revenge and organize a war-party to attack the town. The Indians also take from the child the doll she was given and smash it. The child mourns her broken doll, and buries it with traditional tribal rites. Alarmed that her new friends will be harmed when the town is attacked, the child rushes ahead of the war-party to give warning of the imminent attack. In the raid the child is struck by a bullet, and makes her painful way to her doll’s burial site. Alone, she dies.

A music teacher is in love with Helen, one of his students, but she rejects him. In his hurt he joins an anarchist group who plan to blow up a rich capitalist's house. When he realizes it's Helen's house, he tries to stop the plan.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist

Convicts on a chain gang sniff formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. After being buried, they rise from the dead, killing all in their path with shovels and hoes.

Rita, a vivacious co-ed flees her boarding school with her music teacher, who is also engaged to her. She wants to take part in a singing contest but her father who is dead against it has her kidnapped. He finally gives in when his wife threatens to sing in the contest herself.

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

Director: Karlo Montero (as Carlo Montero) Writer: Jigs Recto (screenplay) Stars: Norris John, Sofia Lee, Winston De Dios

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Documentary on the Japanese saga Meatball Machine. Interviews, Archive Images, Retrospective and Analyzes tell the formidable story of a saga that is as gory as it is inventive.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

In the collective imagination, mountaineering is seen as an elitist and dangerous activity. When the mainstream press talks about mountaineering, it is generally related to a drama or an exploitation. The mountaineers are then placed in two categories. On the one hand, reckless supermen, engaged in a death struggle with the mountains.

The star in Mad Mad Mad swords is a common man with numerous weaknesses and a complete worthless student of a prestigious school. To the suprise of all, however, he manages to defeat a string of renowned swordsmen, including the one-armed swordsman and the blind swordsman, by tricks and luck.

Aside from health care and education, the housing was one of the main pillars of the Cuban revolution. In view of the continuing housing shortage, self-build groups of varying intensity, the "Microbrigadas", were set up in Cuba in 1971. To this day, these groups continue to build their own apartment buildings as well as municipal buildings throughout Cuba. Architectural images, archive material and interviews are combined to create an experimental collage on this phenomenon of a revolutionary modernity.

Raymond Corbier, a sculptor, has a wonderful wife, Sylvia, whom he adores. To save a passionate admirer who simulates suicide because she does not respond to her advances, Sylvia, an irreproachable wife, is forced to lie for the first time to Raymond.

While his father lies sick in a hospital room, Albert and his family try to get on with their lives. Their world seems suddenly divided in two: what happens inside the hospital, and the universe outside.