Ivan Mozzhukhin is a "...hot-headed Caucasian mountaineer leader whose irrational behavior comes to the attention of the Czar . Hoping to use Hajji Murad as a go-between in his plans to conquer the Caucasus mountaineers, the Russian ruler finds that the hero is not so easily manipulated. Rescuing the beautiful Saira from the Czar's clutches, Hajji Murad leads the mountain people's revolt against the despotic regent." Needless to say, the film ends in tragedy.

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

A young theatre actress fights for her uncertain career while having to confront the personal sacrifices that will arise from it.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

“2048: Nowhere to Run” takes place one year before the events of Blade Runner 2049. The short film focuses on Sapper, a man who is trying to make it through life day-by-day without turning back to his old ways. We’re introduced to both the gentle nature of Sapper and the violence he’s capable of when set off.

820 years ago, Mujaka, the lord of werewolves finally visits Raizel after a long journey. But the werewolf Maduk interferes in a war of human plotting some scheme. Raizel and Mujaka fall into a hand of tragic destiny, fighting with each other desperately leaving their friendship behind.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

A young, aspiring hero and superhero fan inadvertently unleashes a powerful new villain looking to rid the world of the Avengers.

Unni, an affluent stockbroker, lives a happy life with his family until he is greeted by a surprise visitor, who is his childhood friend.

Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.

Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.

A loop of a guy in Maine hanging out in his room.

Since some bird chicks hatched in the neighborhood, the bat hasn't got any sleep.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri