During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

A short, graphically dynamic work contrasting contradictory views of perception and interpretation, by way of society's assumptions vis-a-vis phallocentrism and fetishism.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

Told in flashback as Mieszko lies feverish in his bed just before the Battle of Cedynia, Gniazdo recounts how the revered leader extended Poland's borders, formed an alliance with Emperor Otto I, and ultimately strengthened his country's autonomy by achieving victory during that crucial battle in the year 972.

A portrait of teen escort, 'Coco'.

Call-center workers receive a phone call from God.

The deconstruction of the Avatar scenes and sets

Mickey is ringmaster of a circus for orphans. Donald has a trained sea lion act, and does a bit of juggling himself. Mostly, though, he fights with a baby sea lion who keeps stealing both the fish and the show. Donald then finds himself and Mickey in an unrehearsed high wire act, which kicks into high gear when one of the orphans electrifies the wire. They end by doing a high dive into the seals' tank.

Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers. He encounters his dead buddy's sister and helps her run her ranch. Then she finds out about his past.

A German animated film about dinosaurs that was repackaged in the United States during the Scopes Monkey Trial. The opening scenes depicting the formation of the earth, and early marine life, employ such simple means of simulating movement as a moving camera and sliding cels and overlays. One primal, insect-like creature is pictured by means of an elaborate jointed cutout, its legs and antennae manipulated frame by frame—a technique favored by some early animators. Most of the creatures in this film pose sedately before painted backdrops or simple settings; the effect is that of museum dioramas come to life.

Joseph Kuo's final film.

Hilarity abounds in this portrait of three couples successively occupying a suite at the Plaza.

Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.

Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.

The untold and ultimately inspiring story of legendary singer, Teddy Pendergrass, the man poised to be the biggest R&B artist of all time until the tragic accident that changed his life forever at the age of only 31.

Japanese Yann Dedet's Land of the Singing Dog concerns a musicologist, Toyo Mahiru (Gen Shimaoka), and his wife, Yoshiko (Katsuo Nakamura), who travel to a remote French village because Toyo has heard there is a citizen of the village that owns a singing dog. As the childless pair humorously adjust to their new surroundings, they soon spend more time concentrating on conceiving than in searching for the talented canine. The subdued, reflective Land of the Singing Dog was screened as part of the Director's Fortnight at the 2002 Cannes Film Festival.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.