This Year's Blonde
First he seduced her. Then he made her a star. He was Johnny Hyde, 52-year-old agent, friend, lover. She was an unemployed starlet — destined to be America's greatest sex goddess. Theirs was a sizzling romance — torrid, touching, tragic.
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Goodbye, Norma Jean
Norma Jean Baker finds her way to Hollywood and is turned into sex symbol Marilyn Monroe.
Pretty Bloody: The Women of Horror
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Moscowin Kavery
Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.
Symptoms
A 17-year-old girl faces a life with an adverse perspective, where her social life, her experiences, her happiness and emotional stability only depend on a thread that is too damaged.
Farewell Moscow
Palkó Csinom
The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.
When Will You Return?
Tomoko Ashimura types on a computer her memory of her late husband Goro, but Tomoko Ashimura succumbs to a disease. On behalf of Tomoko Ashimura, her grandchild Osamu collects Tomoko’s memoirs. He learns about the love between his grandparents for the past 50 years and the difficult life they faced during and after the Pacific War.
Tale Enclosure
Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic, linguistically inspired chant-performance by George Quasha and George Stein, the camera wanders from mouth to face to hands to figure in an open-ended visual search. The performers use the body as an acoustic instrument of sound and abstract utterances.
Nullarbor
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
False Start
This film by French-Moroccan artist Yto Barrada observes the elaborate fossil industry in Morocco. Paying homage to the 'preparators' in the arid region between the Atlas Mountains and the Sahara Desert, whose intrepid work is fueling a thriving trade in artifacts real, faux and hybrid, False Start is a rebuke to the fetishistic thirst for foreign objects, a sly meditation on authenticity, and a paean to creativity.
The Distant Home
Government authorities incarcerate a girl whose extraterrestrial origin is discovered after an accident with a car.
The Diabolical Plan: A Justus for Justice Short
During a visit to Orlando, Florida to see his sister Justine, loose cannon cop Justus Foehrawll runs into local mad scientist/war veteran General Bucko. Can Justus stop him in time, or will San Antonio be destroyed by a deadly super-laser!?
Kolobok. Handmade Work
A Russian folk tale about the life of a singer from birth to death in songs and gestures.
theEYE: Anish Kapoor
TheEYE is an excellent introduction to contemporary artists and their works and provides an ideal resource for a wide range of audiences, including galleries, museums and colleges, as well as individual art-lover. In October 2002 Anish Kapoor completed his extraordinary sculpture Marsyas for The Unilever Series of commissions in the Turbine Hall at Tate Modern, London. A challenging and overwhelming artwork, Marsyas is a vast red PVC membrane stretched between three massive steel rings. The title refers to a satyr in Greek mythology who was flayed alive by the god Apollo. This film follows the making of Marsyas, from the earliest maquettes to the complex installation at Tate. Anish Kapoor comments on each stage of the process, and on the ideas and concerns of his art. Also illustrated are a range of his other sculptures and two recent large-scale works: Sky Mirror in Nottingham and Taratantara, created for the empty shell of Baltic as this new art centre was being built in Gateshead.
Target Earth
Giant robots from Venus invade Chicago. Stranded in the deserted city are Frank and Nora (who has recently attempted suicide). They meet a celebrating couple at a café, Vicki Harris and Jim Wilson. The quartet escape the robot patrol and take refuge in a large hotel. There, they encounter a new danger in Davis, a psychopathic killer.
Senritsu Kaiki File Kowasugi! File 04: The Truth! Hanako-san in the Toilet
A video recently posted by two teens shows something popping out of a closed toilet at an abandoned school.
Traces
A lonely man dies. There’s no funeral: neither friends nor family show up. Municipal workers will take away and destroy all his possessions. Before his unusual house is emptied though, a series of strangers pay a visit, wondering who this man was and who they themselves are.
Panda
Jacob’s dream is to be a rap artist, so he works on a song that will give him the big breakthrough. To his big frustration, his dreams are tested every time his roomie Adam gets a visit from his girlfriend Frederikke. And through a journey of unforeseen events Jacob meets additional challenges that test his working discipline.
People
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times