Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Launder Run tells the story of Jake, a man returning to his gritty hometown after years away, carrying the weight of a troubled past. The film opens on a rainy Saturday afternoon as Jake trudges through a bleak estate, visibly exhausted and clutching a plastic bag. Arriving at his sister Sue’s chaotic, unkempt flat, he confronts the ruins of his old life—a dirty fridge, a cluttered bedroom reduced to storage, and the ghosts of a once-close family. Seeking solace, he revisits his old pub, a place teeming with memories. As he steps inside, the bartender recognizes him with shock, hinting at Jake’s mysterious past and the reasons for his long absence. “Lounder Run” explores themes of homecoming, redemption, and the unshakable grip of one’s origins.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Fresh out of the academy, White Cop experiences his first taste of Aboriginal community life, as Black Cop puts him to the test.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

Prabha prepares to meet Nandini, his childhood friend, at a reunion party organised by his father. However, things take a turn when Nisha, a gangster's daughter, falls in love with him.

The film is based on the eponymous book, written by two former street gangsters - Grigori Belykh and Leonid Panteleyev. Film is set in the 1920s St. Petersburg, Russia. Streets of the city are full of the homeless boys. They are caught to be raised and educated at the correction school named after Dostoevsky. The boys are street smart and difficult. But the faculty stands up to the challenge. The teaches are being devoted and caring, and gradually win the respect of the most difficult kids. The school director Vicknixor is a refined intellectual, who becomes a role model for the boys.

A new father going through a marital separation joins a dating app and matches with a beautiful but mysterious young woman... whose powers of seduction and manipulation entangle him in a mystery more horrifying than he could have ever imagined.

The tedious monotony of an office employee's routine is interrupted by an unexpected item. In order to restore normality, he must find a way to deal with the item - a task which becomes much more complicated than first expected.

After an unexpected incident happens for a middle-aged man's wife's corpse, he gets very depressed, anxious and violent.

Anna Karenina in modern realities.

Continuously modulating between animations with long exposures and snapshots enlarged across many film frames, #5 explores the relationship between image and time on the film strip. The images were made using very non-virtual, simple reflecting materials and can be regarded as action painting with light.

Jack Kempson started out as an idealistic cop. Thirty years on, he remains relentless in tracking down villains, but has lost confidence in his moral barometer. He turns a blind eye to the dubious methods employed by some of his contemporaries — prepared to let dodgy means be justified by the noble end.

The roles are reversed in this sequel to the 2016 film, with two women "raping" a man during a home invasion.