Donald the apple farmer notices his apples have been nibbled on and catches Chip n' Dale in the act. In the ensuing battle, Donald uses a helicopter to spray them (but they have tiny gas masks). And then he brings in the really heavy artillery.

An owl teaches his class full of birds about melody. It's all around in nature. Only birds and man can sing; man "sings" even when he speaks. We see a quick survey of the stages of life, as captured by songs: the alphabet song for primary school, Here Comes the Bride, The Old Gray Mare, etc. Some inspirations for song are outlined in song: love, sailing, trains, the West, motherhood, etc., but "we never sing about brains." Finally, an example of how a simple melody can be expanded into a symphony: an elaborate version of the simple tune that opened the lesson

Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.

Mexican feature film

The Hunters and the Hunted: The Making of Predator 2 is a 2005 documentary that details the production of the 1990 film Predator 2. Created for the Predator 2: Special Edition DVD set, it uses interviews with the film's cast and crew, as well as behind the scenes footage and imagery, to examine the development, filming and release of the movie.

A Woman arrives on a barren highway where a mysterious Man waits, as he always has. He has things to offer, and she has things to trade, but what to choose?

The Fox is a tree surgeon, who provides his services to the weather-beaten old tree the Crow calls home and doesn't want fixed.

"I'm gay, I'm a fag, I'm proud and I really love sex."

Rookie drug dealers Bonnie (Josh Fischer) and Donnie (Cam Howard) could not have encountered more trouble than on this deal. In this comedic thriller, we see the opposite effect of Murphy's law in place, where everything that could go wrong... does. While dealing with one issue, another arises, and when the storm seems to have passed, it takes a turn for the worse

Thom Andersen (Los Angeles Plays Itself, Red Hollywood) reconsiders the films of Spencer Williams, the pioneering African American screenwriter, director, and actor whose 1940s melodramas centered on sinners and saints—Beale Street mamas and storefront preachers, crime bosses and upwardly striving lawyers and soldiers—who are tempted by jazz and sex and then set back on the glory road to salvation. - MoMA

A series of hilarious, weird, and gross tales that will bring you laughs and chills. A group of friends share scary stories that all happened to them in an attempt to scare each other. But how much of it is real? How much will come back to haunt them?

Documentary about Cuban education. El planeta de los niños is not a documentary and not a feature film. Sarmiento actually filmed a documentary subject with the mise-en-scène and the cutting of a feature film. Without further ado, she takes the viewer into a world where adults would appear to have died out ; a society within which all functions and professions are held by children with deadly seriousness as if things have always been this way. Only right at the end does Sarmiento reveal that she shot the film at the 'Escuele de Pioneros' set up in Cuba in 1979, an institution which Fidel Castro gave to the children of his people to prepare themselves for a later working life. The film opens with an as-good-as-real wedding ceremony and progresses via a birth to a simulated battle ; from birth to death. The subtle irony with which Sarmiento portrays this 'Utopian' world was not understood by all German critics.

A 13-year-old girl, just beginning to realize her own sexuality, comes home one day and finds her mother having sex with a stranger. Horrified, she runs away from home and heads towards her aunt's house in the country, only to be sexually assaulted along the way by a brutish local man. When she arrives at her aunt's house, she discovers that her aunt and cousin are not quite what she thought they were.

Gentleman bandit pulls off crafty robberries and frets over having or losing custody of his daughter