When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.

The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

A war veteran tells his personal experience in “The War” to a psychiatrist, as a part of a social experiment. But nothing is as it seems…

Designed by Josef Maria Olbrich in 1898, the main exhibition hall of the Vienna Secession is generally regarded as one of the first White Cube Spaces of art history. The myth of the neutral space has a long tradition of being critically examined by the institution itself. Using 19 specially designed cameras, Main Hall adds a purely cinematographic gesture to the space’s history by having it look at its own architecture.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

A parliamentary candidate and his mistress will spend the night at the police station. After all, no one is above the law, no matter what his credentials or social status may appear to be.

A matriarch past the point of a nervous breakdown, her two daughters that don't give a damn, and the heat-seeking missiles of resentment they toss at each other.

To be born without freedom. Waiting your turn to be crushed into nuggets. It is a matter of choosing: To pray, or kill them first.

A turbulent day in a life, painted by air.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

Everything is for sale in Vice City, where the cops are dirtier than the call girls they bust and every dark alley and shadowed corner promises a dangerous seduction. Where the only rendezvous is a lurid one and the only thing cheaper than a trip around the world is the soul of the pretty young thing selling the ride. Enter Daisy (Mia Zottoli), a small-change stripper with dreams of an empire who will not stop until she holds the city in her silken fist. Assembling a crack team of next level super-hookers and moving their action out of the alley and onto the hill, Daisy's syndicate takes aim at the wealthy elite. But when the scandal heats up, Vice Detective Angie (Holly Sampson) hits the case hard while whetting her own appetites and ducking an Internal Affairs (CC Costigan) investigation into her partner's nasty habits, proving that no one is what they seem in Vice City, unless they seem real naughty.

Julien and Celeste are living together, barely functioning in a relationship as Julien incurs mysterious seizures which is tearing their relationship apart. An opportunity to baby sit Celeste's twin sister's new born baby and Julien is tasked with controlling his erratic behaviour caused by unknown reasons.

Prem, Raj, Priya, and Deepak were inseparable friends, bound by years of laughter and memories. However, beneath their friendship, unspoken feelings lingered. Raj was deeply in love with Priya and hoped to confess his feelings, believing she felt the same. One evening, Raj finally gathered the courage to tell Priya how he felt. She listened quietly, her eyes full of emotion, and then gently said, "Raj, I care for you deeply, but my heart belongs to someone else." Raj was heartbroken but asked, "Who is it?" Priya hesitated before admitting, "It's Deepak." Deepak, who had no idea of Priya's feelings, was stunned when Raj revealed the truth to him. Prem, ever the peacemaker, stepped in to remind them that love was never meant to break bonds but to strengthen them. In the end, Tere Liye became a story not just about romantic love but about the love that keeps friendships alive through honesty, understanding, and acceptance.

Fluxes is Arthur Lipsett's view of the human condition and the mixed-up planet where humans are found. As in his other films (Very Nice, Very Nice; 21-87), Fluxes has a disconnected flow of images that, in their erratic way, build up into a cutting indictment of the world the way it is. The film's only commentary consists of unrelated snatches of words and sounds.

When 19-year-old Aathi and her family, as the first farmers ever, arrive in what is now known as Denmark, her family is killed by a local tribe of hunter-gatherers. To survive, Aathi and her brother are forced to live with the tribe.

Two men. Steely Dan. Madness ensues.