Men will be men.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.

'Skippy' seeks to win the love of celebrities and a women by getting his photograph taken with as many famous people as possible.

Anna focuses on dementia-stricken Gus - a former gardener who lives with his granddaughter. Gus struggles to reconcile with an increasingly present past. This film chronicles one day in his life.

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.

When a four-man terrorist group known as Team Phantom begins raising havoc in downtown Tokyo, the city is in desperate need of a hero. An unexpected champion appears in the form of Lady Battle Cop, a former female tennis champion who has been transformed into a seemingly unstoppable cyborg.

J. hates how he looks so he spends his time on social networks, projecting his desires and sexual impulses in a world where nobody makes fun of him. However, the border between digital and real become thinner and thinner, dragging J. in a distorted digital reality that soon will become a nightmare.

Latin Cardio Dance

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

A loud-mouthed lout alienates everyone except his patient wife.

A single mother, who had an ominous dream about her husband who passed away before her, tries to reconcile her two sons. With the help of the local community, peace seems to be coming to the family, but soon the entire region becomes embroiled in serious violence due to the unexpected intervention of government forces.

AFL legend Adam Goodes shares the story of his life and career to offer a deeper insight into race, identity, and belonging.

John Hofsess’s The Palace of Pleasure emerged from the psychedelic haze of 1960s postmodern art. It was a blistering work that combined arresting abstract imagery with the wounded expressions of a young couple, edited into a collage of mass culture imagery and album and book jackets, all of it framed as a therapeutic treatment. Addressed to a generation coming up in an era of protest and social change, where many found themselves increasingly burdened with hopelessness, paranoia, and neurosis, The Palace of Pleasure was offered as a cleansing ritual, a post-Freudian expelling of dammed-up energies that anticipated The Primal Scream. In this video, Stephen Broomer discusses Hofsess’s therapeutic ambitions, how the film was composed of Hofsess’s earlier films, and the sensual spell of the work, the way in which it commands us to enter into a universal fellowship of touch that circulates, from us to us, through us, to strain the boundaries between the self and the other.